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In: Dissent: a journal devoted to radical ideas and the values of socialism and democracy, Band 45, Heft 2, S. 94-96
ISSN: 0012-3846
In: NACLA report on the Americas, Band 27, Heft 2, S. 9-9
ISSN: 2471-2620
In: Differences: a journal of feminist cultural studies, Band 1, Heft 3, S. 88-107
ISSN: 1527-1986
In: Qualitative sociology, Band 12, Heft 1, S. 29-54
ISSN: 1573-7837
In: Teaching sociology: TS, Band 16, Heft 3, S. 343
ISSN: 1939-862X
In: American federationist: official monthly magazine of the American Federation of Labor and Congress of Industrial Organizations, S. 13 : il
ISSN: 0002-8428
In: Social service review: SSR, Band 5, Heft 4, S. 672-673
ISSN: 1537-5404
In: Routledge library editions : Cinema, Volume 7
Towards a sociology of cinema -- Singing for India: songs in the Bollywood Film -- Reading popular Hindi films in the diaspora and the performance of urban Indian and diasporic identity -- Bollywood cinema going in New York City -- Queer as Desis: secret politics of gender and sexuality in Bollywood Films in diasporic urban ethnoscapes -- Between and beyond Bollywood and Hollywood
In: Feminist media studies, Band 22, Heft 5, S. 1227-1242
ISSN: 1471-5902
In: Social work: a journal of the National Association of Social Workers, Band 51, Heft 3, S. 269-272
ISSN: 1545-6846
In: New perspectives quarterly: NPQ, Band 23, Heft 2, S. 31-33
ISSN: 1540-5842
In: Cultural studies - critical methodologies, Band 1, Heft 2, S. 139-156
ISSN: 1552-356X
Most of the author's writing and film/video making until the mid-1990s was couched within an antiapartheid, explicitly Marxist framework. But, like all individuals, he has his contradictions. These are derived from his class, eth nic, and racial determinations. This reflexive article negotiates the author's experiences during the apartheid and postapartheid eras, from modernism to postmodernism. This chapter examines some of these influences on his professional experience, teaching, and research.
In: The review of politics, Band 59, Heft 1, S. 153
ISSN: 0034-6705