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Introduction : What "everybody knows" about white privilege -- White privilege is only about race -- Only white people have white privilege -- White people should feel guilty -- White people should figure out how to get rid of their white privilege -- White people should figure out how to help people of color.

Perhaps reflecting a desire to emphasize the enduring power of rigidly constructed racial categories, sociology has tended to downplay the importance of within-category variation in skin tone. Similarly, in popular media, "colorism," or discrimination based on skin lightness, is rarely mentioned. When colorism is discussed, it is almost exclusively framed in terms of intraracial "black-on-black" discrimination. In line with arguments highlighting the centrality of white racism, the present paper contends that it is important for researchers to give unique attention to white colorism. Using data from the 2012 American National Election Study, an example is presented on white interviewers' perceptions of minority respondent skin tone and intelligence ( N = 223). Results from ordinal logistic regression analyses indicate that African American and Latino respondents with the lightest skin are several times more likely to be seen by whites as intelligent compared with those with the darkest skin. The article concludes that a full accounting of white hegemony requires an acknowledgment of both white racism and white colorism.

White Whale. A short Story by Katrina Kell.

I Stanford White -- II The White Family in America -- III Stanford White's Father -- IV His Youth -- V Apprenticed to Richardson -- VI The Beginnings of his Friendship with St. Gaudens -- VII Aboard Ship—Bound for Europe—July, 1878 -- VIII Arrived in Paris. First Impressions -- IX Exploring the South of France with McKim and St. Gaudens -- X The Grand Tour -- XI The Voyage Home, September, 1879 -- XII American Architecture Before 1880 -- XIII McKim, Mead & White -- XIV The Practice of Architecture in the Early Eighties -- XV The Farragut, the Randall and the Morgan Monuments -- XVI With Dick and St. Gaudens in New Mexico -- XVII Marriage -- XVIII 1885–1887 -- XIX Salmon Fishing -- XX Boston Speaks its Mind Concerning McKim, Mead & White -- XXI The Washington Arch -- XXII Madison Square Garden -- XXIII The Festive Diana -- XXIV The Columbus Celebration -- XXV The Herald Building -- XXVI The University of Virginia, New York University and Columbia College -- XXVII Clubs and Clubhouses -- XXVIII Churches and Church Architecture -- XXIX Sherry'S—And the Invasion of Upper Fifth Avenue -- XXX Magazine and Book Covers -- XXXI The Theatre -- XXXII The Turn of the Century in New York -- XXXIII Wherein Draughtsmen Differ from Valets -- XXXIV White was Fortunate in his Clients -- XXXV White as Seen by Simmons -- XXXVI —And by Janet Scudder -- XXXVII Later Correspondence with St. Gaudens -- XXXVIII January To June, 1906 -- XXXIX Midsummer -- XL The Thaw Case -- XLI Twenty Years Later -- Appenddc—Biographical and Critical Notes Dealing, for the Most, with White's Friends and Their Relation to Him.

The system of apartheid in modern South Africa is in large measure camouflage for the maintainance of white supremacy. In the first place it entails the division of the South African population into what are euphemistically known as 'national groups', which.in practice come down to racial segments: white, the so-called 'coloured' - those of mixed race, and the descendants of the Cape colony's slaves - Indians and the Blacks. The last group, the indigeneous inhabitants of most of the land area of South Africa, form a vast majority of the country's population, but, with the so-called 'coloureds' and the Indians, have been systematically excluded from any real share in political and economic power. The official policy has stressed that what is intended is the creation of separate zuiien, or pillars of society. According to the ideology, South Africa is now a plural society, to such an extent that the title of the ministry formerly known as 'Bantu Affairs' is now 'Plural Affairs'. In hard reality, there is geen spraak - no question - of equality between the various groups, but rather a rigourously maintained hierarchy. The whites are vastly more prosperous and control almost all sectors of the economy, through their exclusion of other races from the processes of political decision making.

The author was a Grey's Scout in the Rhodesian armed forces. His book is an account of his experiences on the losing side in Zimbabwe's war of liberation. It provides an attempt by a white Rhodesian soldier to come to terms with his part in the war. (DÜI-Sbd)

The following article, by Professor Helen O. Mahin of the University of Kansas, was written for the Bulletin at the request of the editor. Miss Mahin's acquaintance with the work of Mr. White is the result of a careful study of his life and newspaper activity.—Editor.

Overview of the US electoral campaign with a specific focus on the racial basis of Trump's representation of America. ; Il fenomeno Trump si è nutrito di risentimenti razziali e paure economiche – fenomeni che hanno messo in crisi la stessa identità del paese per molti suoi elettori. E gli anni di Obama hanno fatto da incubatore per un vero "white backlash". Il prezzo è la disgregazione dell'elettorato repubblicano. Sul lato democratico, Hillary Clinton incarna un establishment incerto sulle ricette economiche, che non ispira grande fiducia. Nell'insieme la politica americana compie una virata nazionalista.

Applies Foucauldian theory of the "regime of truth" to the surveillance of blacks, particularly men, & the purpose it serves in maintaining a "white" social order wherein blacks are abnormalized. To illustrate the regime of truth & knowledge, the conflicting verdicts of the OJ Simpson criminal & civil trials are drawn on. Blacks are often seen as disturbers of the social order; they are portrayed as highly sexual, drug users, or criminals, & the media overrepresents the instances in which these stereotypes seem to be proven true (eg, the sexual harassment charge against Clarence Thomas). A. Lee

Everyone's daily lives are affected by race and racism in America. White Privilege examines the historical forces that have disadvantaged people of color and discusses how these forces continue to influence the media, education, politics, and other areas of life today. Features include essential facts, a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO

The recent exhibition Charles White: A Retrospective (Museum of Modern Art, New York, October 7, 2018–January 13, 2019) offered a chance to consider the technical and iconographic breadth of an oeuvre that has been exhibited mainly in sporadic doses for the past few decades and has expanded in scope through recent attention from a subsequent generation of African American artists, including several students as well as art scholars. White (1918–79) was vocally committed from the mid-1960s through his final decade to African American art subjects in tandem with social issues, climactic in poignant, politically charged lithographs in a realist drawing style set in increasingly abstract environments. By then associated with the Black Arts Movement, he continued to recycle historical figures and references from his earliest work in the milieu of a Black Renaissance in Chicago and bolstered by the Works Progress Administration, which, with reciprocal viewing, takes on a collective modernist context in terms of current events related to African American experience and American life broadly, even where allegorical. White's prolific graphic experimentation yielded varied surface patterns that often evoke content-laden textures, elided into several distinctive late paintings also featured.