[4], 11, [1] p. ; "To the reader" signed: Jo: Hare. ; Annotation on Thomason copy: "Jan: 24."; the 8 in imprint date crossed out and date altered to 1647. ; Reproduction of the original in the British Library.
[86], 249, [7] p. : ill. (metal cuts) ; Running title reads: The femall glory, or, the life of the Virgin Mary. ; With a final colophon leaf; the last leaf is blank. ; B1 is printed on A4, original B1 is cancelled. ; Reproduction of the original in the University of Illinois (Urbana-Champaign Campus). Library.
This article examines a unusual corpus: that of one-author literary journals founded by significant Spanish writers forced into exile at the end of the Spanish Civil War. Namely, Atentamente by Manuel Altolaguirre, El Pasajero by José Bergamín and Sala de Espera by Max Aub. It attempts to understand how and why each one creates an editorial space for himself and suggests a hypothesis to interpret this formal dissonance –compared to the model of the literary journal consolidated over the centuries– as an expressión of the political dissonance in face of the ideals of the republican government established in exile. ; El estudio examina un corpus inusual: las revistas de un solo autor fundadas por relevantes escritores españoles forzados a exiliarse al final de la Guerra Civil Española. Las revistas son: Atentamente, de Manuel Altolaguirre, El Pasajero, de José Bergamín, y Sala de Espera, de Max Aub. Se busca comprender cómo y por qué cada uno de ellos crea un espacio editorial para sí mismo y se sugiere la hipótesis de interpretar esa disonancia formal, en relación al modelo de revista literaria consolidado desde hace siglos, como expresión de disonancias políticas frente al ideario del gobierno republicano constituido en el exilio.
[4], 23 p. ; "To his honoured friends" signed: T.S. ; Variously attributed to Thomas Scott and Thomas Swadlin. Cf. Wing; NUC pre-1956. ; Place of publication from Wing. ; Reproduction of original in Huntington Library. ; Marginal notes.
[16], 458, [2] p. ; A translation of: Discours politiques et militaires du Seigneur de la Noue. ; E.A. = Edward Aggas. ; Publishers' names from colophon, which is dated 1588. ; The last leaf is blank. ; Reproduction of the original in the Henry E. Huntington Library and Art Gallery.
In: Journal of Applied Corporate Finance, Volume 33, Number 2, Spring 2021. To access paper, use this link https://onlinelibrary.wiley.com/share/author/YWEAEYPDWUAAPJPMRWGN?target=10.1111/jacf.12457
In: 22 Maastricht Journal of European and Comparative Law 4 (2015), 576-591. Copyright: Publisher and author, 2015. Reprinted by permission of SAGE Publications. doi/10.1177/1023263X1502200406
In: Pre-proof version of a Chapter of the author later published in Mario Comba and Steen Treumer (eds.), The In-house Providing in European Law (Djøf Publishing: Copenhagen, 2010)
Ставится задача определения различительных жанровых признаков военных дневников и записных книжек писателей периода Великой Отечественной войны. Для уточнения жанра исследуется метод сопоставления субъектно-объектных планов повествования, определяется наличие или отсутствие косвенного адресата. Рассматриваются особенности эстетизации текстов из дневников и записных книжек В. Закруткина, А. Твардовского, В. Гроссмана, А. Платонова. Отмечается, что дневники и записные книжки военного времени играли роль исторического свидетельства и даже использовались в доказательной базе военными судами. Не всегда возможно провести грань между жанрами дневников и записных книжек, но неоспоримо то, что подобная литература должна печататься полностью, без цензурных изъятий и купюр. ; The purpose of the article is to identify distinctive features of the genre inherent to military diaries and notebooks written during the Great Patriotic War. To determine the genre's essence a method comparing subject-object narrative plans is analyzed. The presence or absence of an indirect addressee is identified. Common features of the texts' aestheticization in the works of V. Zakrutkin, A. Twardowski, V. Grossman, and A. Platonov are studied. The article draws special attention to the role played by the publisher in popularization of the studied genre. It was pointed out that military diaries and notebooks written during wartime period were used as sources of historical evidence and sometimes even as evidences in military court hearings. The author comes to a conclusion that it is not always possible to distinguish the genre of military diaries from the genre of notebooks, but it is undeniable that this kind of literature should be made public without censorship.
"Notices bibliographiques sur quelques ouvrages chinois traitant de la Cochinchine": p. [285]-288. ; I. Introduction, par le baron de Bourgoing.--II. 1. ptie. Géographie physique, ethnographique et politique, par E. Cortambert.--III. 2. ptie. Apercu général de l'histoire de la Cochinchine, par L. de Rosny.--IV] e. ptie.Linguistique de l'An-nam, par L. de Rosny.--V. Documents divers sur les opérations militaires, et sur la culture du coton en Cochinchine.--VI. Bibliographie annamique, par M. A. de Bellecombe (p. [337]-343)--VII. Annexe: Documents et rapports sur les expéditions militaires. Biographies. ; Mode of access: Internet.
В данной статье рассматривается возможная в литературном тексте конструкция «язык автора», анализируются и очерчиваются ее стиль, состав и типологический потенциал. Суждения производятся как на общероссийском, так и на национальном северокавказском (в частности, адыгском) художественном материале с учетом предшествующих отечественных традиций языковой демократизации. ; This article discusses possible construction "language of the author" in the literary text; its style, composition and typological potential have been analyzed. Judgments are made at the national as well as at the North Caucasian (in particular, Adygh) artistic material, taking into account preceding national traditions of the linguistic democratization.
Este artículo analiza los factores del contexto que de diversas formas contribuyeron a que se originaran las protestas estudiantiles universitarias de mayor alcance y envergadura en Colombia durante 1968-1971 y el resurgir de estas movilizaciones con un gran impacto en el marco del primer decenio del siglo XXI, 2007-2011. Este análisis se realiza desde una perspectiva regional, haciendo énfasis en las particularidades que le imprimen a este proceso las dinámicas del movimiento estudiantil de la Universidad del Valle. Para ello, se hace uso del método de la política comparada y del concepto de estructura de oportunidad política, recuperado del enfoque norteamericano de la teoría de los movimientos sociales. Como resultado preliminar, se evidencia que la conjugación de los tres factores del contexto: las reformas educativas, las dinámicas del régimen político y los giros culturales, en los períodos estudiados fueron una oportunidad para la construcción y transformación de los marcos interpretativos de los estudiantes, conduciendo a la profundización y resignificación de la protesta estudiantil. ; This article analyzes the contextual factors that contributed in different ways to the origins of the university student protests of greater scope in Colombia during 1968-1971 and the resurgence of these mobilizations with a great impact within the framework of the first decade of the 21st century 2007-2011. This analysis is done from a regional perspective, emphasizing the particularities that the dynamics of the student movement of the Universidad del Valle brings to this process. For this purpose, we use the comparative politics method and the political opportunity structure concept, recovered from the North American approach to the theory of social movements. As a preliminary result, it is evident that, during the periods studied, the conjunction of three contextual factors —the educational reforms, the dynamics of the political regime and the cultural turns— was an opportunity for the construction and transformation of the students' interpretative frameworks, leading to the deepening and resignification of student protest.
