Disciplinevorming en de handboekparadox: De Geschichte der Künste und Wissenschaften (1796-1820) als onbedoeld pionierswerk
In: Jaarboek de achttiende eeuw: documentatieblad van de Werkgroep Achttiende Eeuw, Band 54, Heft 1, S. 52-71
ISSN: 2667-2081
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In: Jaarboek de achttiende eeuw: documentatieblad van de Werkgroep Achttiende Eeuw, Band 54, Heft 1, S. 52-71
ISSN: 2667-2081
In: Romanistik in Geschichte und Gegenwart
In: Beiheft 22
In: Fichte-Studien - Beiträge zur Geschichte und Systematik der Transzendentalphilosophie, 31 v.v. 31
In: Fichte-Studien - Beiträge zur Geschichte und Systematik der Transzendentalphilosophie, 29 v.v. 29
In: Benelux-German borderlands histories Band 1
One hundred years after the founding of the École Coloniale Superieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city.00Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of 'Congoville', an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia.00With contributions by: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Leonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud.00Participating artists: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pelagie Gbaguidi.00Exhibition: Middelheim Museum, Antwerp, Belgium (29.5-3.10.2021).
In: http://mdz-nbn-resolving.de/urn:nbn:de:bvb:12-bsb10276918-4
Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- Belg. 278 d-10
BASE
In: Revue belge d'histoire contemporaine 33.2003,3/4
In: http://mdz-nbn-resolving.de/urn:nbn:de:bvb:12-bsb11569420-1
Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- Belg. 278 d-37
BASE
In: KADOC Studies on Religion, Culture and Society
During the French Revolution almost all monasteries and abbeys were suppressed and their possessions seized. Yet after the French Revolution many religious institutes were very successful in re-establishing themselves, sometimes accumulating large patrimonies, against the background of often hostile political forces.This book deals with the question of how the religious orders and congregations rebuilt their patrimony, a necessary prerequisite for the growth of the number of religious, educational and charitable services.The authors discuss the (real or supposed) wealth, the financial structur