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Economic history of Europe: twentieth century
In: The documentary history of Western civilization
Interview: General James L. Jones, Supreme Allied Commander, Europe
In: NATO Review, S. 1-5
An interview with General James L. Jones, Supreme Allied Commander, Europe (SACEUR), explores his expectations of the Riga Summit, the significance of the Stage 4 expansion of NATO's International Security Assistance Force (ISAF); challenges NATO is facing in Afghanistan; and his most important achievement as SACEUR. Adapted from the source document.
Rethinking world history: essays on Europe, Islam, and world history
In: Studies in comparative world history
Race in post-fascist Italy: "war children" and the color of the nation
"Undesirables" : foreigners and women in the postwar -- Little "aliens"? Representing the "mulattini" -- "Not only a question of humanity" : assisting the "mulattini" -- Growing up Black in postwar Italy -- On the American side of the Atlantic -- Under "expert" eyes -- Black Italians on screen : two films of the 1960s -- Interlude. A story from a Calabrian village -- Ancestries and identities.
Making art history in Europe after 1945
In: Studies in art historiography
The aim of this series is to support and promote the study of the history and practice of art historical writing focusing on its institutional and conceptual foundations, from the past to the present day in all areas and all periods. Besides addressing the major innovators of the past it also encourages re-thinking ways in which the subject may be written in the future. It ignores the disciplinary boundaries imposed by the Anglophone expression 'art history' and allows and encourages the full range of enquiry that encompasses the visual arts in its broadest sense as well as topics falling within archaeology, anthropology, ethnography and other specialist disciplines and approaches. It welcomes contributions from young and established scholars and is aimed at building an expanded audience for what has hitherto been a much specialised topic of investigation. It complements the work of the 'Journal of Art Historiography'