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"Dá̈kwändür Ghay Ghàkwädīndür--Our Story in Our Words tells the story of the peoples of the Kwanlin Dün First Nation, from thousands of years ago to the present day. This richly illustrated book includes traditional stories from long ago, told by Elders, about the origins of the world and the aftermath of a great flood, about "The Double Winter" and "The Girl Who Married the Bear." Several stories appear in Tlingit, Tagish, Northern Tutchone, or Southern Tutchone, to share these original languages of Kwanlin Dün with the next generation. The lives of early inhabitants of the Southern Yukon are imagined with reference to archaelogical finds and scientific understandings. Elders also share stories about the arrival of white people, about the Gold Rush days and the building of the Alaska Highway, and all the intense challenges that Kwanlin Dün faced. KDFN citizens recall the decades-long land claims struggle that culminated in the KDFN Final Agreements in 2005. And the many nation-building accomplishments since then are celebrated--with an eye to much success ahead. Throughout the book are striking historical pictures, beautiful contemporary artwork, and vivid photographs of the land. Dá̈kwändür Ghay Ghàkwädīndür--Our Story in Our Words is a wide-ranging story, told in many unique voices, that celebrates the values, endurance, and accomplishments of the Kwanlin Dün First Nation."--
In: Kongo-overzee bibliotheek 5
In: [Black experience] [126]
In: Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press Series
"If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, sooner or later Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the fragile social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were, at every turn, predicated upon the work of enslaved and free people of color. Their labor amassed the wealth that afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. They set the type, dried the paper, and folded the pages that created his legacy. Every beautiful book Moreau designed contains an embedded story of hidden violence. Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau's world"--