Suchergebnisse

Reconstructing the curricular development process : the insider's narrative / The Eklavya Team -- Civics curriculum and textbooks / Amman Madan -- Geography curriculum and textbooks / Yemuna Sunny and Kamala Menon -- History curriculum and textbooks / Tripta Wahi -- Social science texts : a pedagogic perspective / Poonam Batra and Disha Nawani -- Dynamics of knowledge and praxis : a view from the field / The Eklavya Team -- Conclusion / Poonam Batra

Abstract. The article presents an attempt to make sense of Adolf Bibič's
oeuvre as a whole. It reveals his broader intellectual (and also political)
project along with his coherent and systematic analysis of what may also
be understood as the 'possibilities' of political science. We claim that Bibič's
various analyses and interventions actually pivot on the question of the
future or, even better, the role and position of political science in it. We
name this aspect of Bibič's oeuvre the 'political science of the future', which
necessarily returns to the history of political ideas and political history to
even be able to understand the current political relations and their contradictions. The ambition and capacity of the 'political science of the future'
is not merely an explanation of what exists since, as Bibič states, political
science is the key science for facing the challenges of the future and, accordingly, vital for our existence – political and physical.
Keywords: Adolf Bibič, political science, future, state, democracy, citizenship.

Algunes opinions consideren que tot el teatre és social; i això és així perquè sense el grup no existeix, és un acte de comunicació entre persones: actors i públic. En alguns formats de teatre social, la divisió entre públic i actors es trenca expressament per a generar rerlexió i canvi. El teatre és un recurs que ens permet articular propostes d'expressió amb llenguatges ben diversos com la dansa, la plàstica, la música, l 'expressió corporal, oral i escrita, vinculades en un projecte comú en que els participants poden trobar el millor espai per a desenvolupar-se. Es presenten algunes experiències en les que es podrien emmarcar dins el que anomenem teatre social. ; Algunas opiniones consideran que todo el teatro es social; y esto es así porque sin el grupo no existe, es un acto de comunicación entre personas: actores y público. En algunos formatos de teatro social, la división entre público y actores se rompe expresamente para generar reflexión y cambio. El teatro es un recurso que nos permite articular propuestas de expresión con lenguajes muy diversos como la danza, la plástica, la música, la expresión corporal, oral y escrita, vinculadas en un proyecto común en que los participantes pueden encontrar el mejor espacio para desarrollarse. Se presentan algun as experiencias en las que se podrían enmarcar dentro de lo que llamamos teatro social. ; Some consider that all theatre is social. Without a group theatre, an act of communication between people-actors and public- does not exist. In some social theatre formats, the division between public and actors is expressly broken down to generate reflection and change. Theatre is a resource that lets us desingn different forms of expression in very diverse languages. Dance, the plastic arts, music and corporal, oral anda written expression, forged into a single project where participants can find the best space to develop. Some experiences are presented that could be classified within what is termed social theatre.