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In: African sources for African history v. 9
In: Brill eBook titles 2007
Matière Préliminaire -- Introduction -- Chapitre 1. Les Versions Du Texte Et Leur Transmission Écrite Et Orale -- Chapitre 2. Les Versions Écrites Et Orales Du Ta:Rikh Mandinka Présentées En Colonnes -- Chapitre 3. Sujets Mythiques Et Historiques Du Ta:Rikh Mandinka (Interprétations Et Commentaires Comparés) -- Chapitre 4. Contextes De Production Et De Transmission Des Livres De Bijini : Historiographie Et Discours Social Dans Un Village Musulman Au Pays Des Sòoninkee Du Kaabu Et Du Badoora -- Tableaux -- Images -- Cartes -- Ta:Rikh Mandinka : La Reproduction De Deux Manuscrits Arabes En Possession De Al-Hajj Ibrahiima « Koobaa » Kasama – Ms A (18 Pp), Ms B (35 Pp) -- Glossaire Des Anthroponymes Et Toponymes Et Des Termes En Mandinka Et Autres Langues -- Bibliographie -- Index Des Auteurs Cités.
In: Brill Book Archive Part 1, ISBN: 9789004472495
In: African Sources for African History 1
In: Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press Series
"If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, sooner or later Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the fragile social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were, at every turn, predicated upon the work of enslaved and free people of color. Their labor amassed the wealth that afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. They set the type, dried the paper, and folded the pages that created his legacy. Every beautiful book Moreau designed contains an embedded story of hidden violence. Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau's world"--
In: Hommes et sociétés, Histoire et anthropologie