The Bishan Commune and the practice of socially engaged art in rural China
1. Introduction : Radical Rural Intellectuals -- 2. Fields of Socially Engaged Art -- 3. Imagining the Commune -- 4. The Great Leap Into Utopia -- 5. Trojan Horses or the Artist as Realtor -- 6. "Whose Villiage? -- 7. Conclusion : The end of Utopia? -- Epilogue : Guanxi Aesthetics or the State as Artistic Director