Suchergebnisse
Filter
81 Ergebnisse
Sortierung:
How to Read a Corporation ' s Mind
In: U Iowa Legal Studies Research Paper Forthcoming
SSRN
The Monster Within: Representing Corporate Evil
In: Evil Corporations 189 (Penny Crofts ed., 2024)
SSRN
Erasing the Victims of Corporate Crime
In: 62 Am. Crim. L. Rev. __ (forthcoming 2025)
SSRN
SSRN
Reasonable AI: A Negligence Standard
In: 77 Vand. L. Rev. __ (2025 Forthcoming)
SSRN
SSRN
SSRN
Corporate Identity
In: In Experimental Philosophy of Identity and the Self (Kevin Tobia ed., 2022)
SSRN
Employed Algorithms: A Labor Model of Corporate Liability for AI
In: 72 Duke L.J. __ (forthcoming 2022)
SSRN
SSRN
SSRN
Il Convegno AICA del 1984. La Presidenza Hăulică e la questione dei Marmi del Partenone
In: Studia Universitatis Babeş-Bolyai. Historia artium, Band 65, Heft 1, S. 157-173
ISSN: 2065-958X
"The 1984 Conference of the International Association of Art Critics. The Presidency of Dan Hăulică and the Issue of the Parthenon Sculptures. In 1984, the Conference of the International Association of Art Critics (AICA), chaired by the Romanian Dan Hăulică (1932-2014), was organized for the first time in Greece; the event offered an opportunity for historians and art critics of various nationalities to meet. The theme of the conference, "Contemporary art and the Greek world. The XXth century in the face of the civilizations that have followed one another in the Greek space", on the one hand honored the host country and on the other, placing the accent on the relationship between XXth century art and the Western artistic tradition, was part of the international discussion on the end of the avant-gardes. The complex relationships between the ancient and the contemporary were discussed in terms of influences, continuity and discontinuity. Particular attention was paid to the concept of myth and the mythical dimension of contemporary art. On the other hand, the generic definition of "Greek world"", intentionally chosen by the Greek section of the AICA, re-proposed the national narrative of an essentially unitary historical-artistic development. The Conference also had a dimension of international political significance connected to the fact that the previous year the AICA, an organization affiliated with UNESCO, had approved a motion for the return to Greece of the Parthenon marbles kept at the British Museum. In Athens, the confirmation of solidarity with the Greek cause was also a matter of electoral campaign for the renewal of the Presidency of the AICA.
Keywords: AICA Congress, art discourse, contemporary art, Parthenon marbles, classical heritage, myth
"
SSRN
Working paper