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Introduction -- 1. Objects among objects -- 2. Intellectuals as experts -- 3. The final core of uncertainty -- 4. Humanitarianism, humanity, human -- 5. Memory and the future -- 6. Loss of loss -- 7. Tracing disappearance -- 8. Stardust -- 9.. The grenfell tower file -- 10. From one world to another Conclusion.

Despite the imperative for change in a world of persistent inequality, racism, oppression and violence, difficulties arise once we try to bring about a transformation. As scholars, students and activists, we may want to change the world, but we are not separate, looking in, but rather part of the world ourselves. The book demonstrates that we are not in control: with all our academic rigour, we cannot know with certainty why the world is the way it is, or what impact our actions will have. It asks what we are to do, if this is the case, and engages with our desire to seek change. Chapters scrutinise the role of intellectuals, experts and activists in famine aid, the Iraq war, humanitarianism and intervention, traumatic memory, enforced disappearance, and the Grenfell Tower fire, and examine the fantasy of security, contemporary notions of time, space and materiality, and ideas of the human and sentience. Plays and films by Michael Frayn, Chris Marker and Patricio Guzmán are considered, and autobiographical narrative accounts probe the author's life and background. The book argues that although we might need to traverse the fantasy of certainty and security, we do not need to give up on hope.

"Critical international relations is both firmly established and rapidly expanding, and this Handbook offers a wide-ranging survey of contemporary research. It affords insights into exciting developments, more challenging issues, and less prominent topics, examining debates around questions of imperialism, race, gender, ethics and aesthetics, and offering both an overview of the existing state of critical international politics and an agenda-setting collection that highlights emerging areas and fosters future research. Sections cover: critique and the discipline; relations beyond humanity; art and narrative; war, religion and security; otherness and diplomacy; spaces and times; resistance; and embodiment and intimacy. An international group of expert scholars, whose contributions are commissioned for the volume, provide chapters that facilitate teaching at advanced undergraduate and postgraduate level, inspire new generations of researchers in the field, and promote collaboration, cross-fertilisation and inspiration across sub-fields often treated separately, such as feminism, postcolonialism and poststructuralism. The volume sees these strands as complementary not contradictory, and emphasises their shared political goals, shared theoretical resources and complementary empirical practices. Each chapter offers specific, focused, in-depth analysis that complements and exemplifies the broader coverage, making this Routledge Handbook of Critical International Relations essential reading for all students and scholars of international relations"--

The face is central to contemporary politics. In Deleuze and Guattari's work on faciality we find an assertion that the face is a particular politics, and dismantling the face is also a politics. This book explores the politics of such diverse issues as images and faces in photographs and portraits; expressive faces; psychology and neuroscience; face recognition; face blindness; facial injury, disfigurement and face transplants through questions such as:What it might mean to dismantle the face, and what politics this might entail, in practical terms?What sort of a politics is it? Is it already.

Vol. 1 Critical spaces, theoretical resources -- Vol. 2 Empirical interventions 1: economy, development, identity -- Vol. 3 Empirical interventions 2: movement, violence and accountability -- Vol. 4 The future of critical international relations: protest, aesthetics, pedagogy.

Covering a broad range of approaches within critical theory including Marxism and post-Marxism, the Frankfurt School, hermeneutics, phenomenology, postcolonialism, feminism, queer theory, poststructuralism, pragmatism, scientific realism, deconstruction and psychoanalysis, this book provides students with a comprehensive and accessible introduction to 32 key critical theorists whose work has been influential in the field of international relations

In this interesting study, Jenny Edkins explores how we remember traumatic events such as wars, famines, genocides and terrorism, and questions the assumed role of commemorations as simply reinforcing state and nationhood. Taking examples from the World Wars, Vietnam, the Holocaust, Kosovo and September 11th, Edkins offers a thorough discussion of practices of memory such as memorials, museums, remembrance ceremonies, the diagnosis of post-traumatic stress and the act of bearing witness. She examines the implications of these commemorations in terms of language, political power, sovereignty and nationalism. She argues that some forms of remembering do not ignore the horror of what happened but rather use memory to promote change and to challenge the political systems that produced the violence of wars and genocides in the first place. This wide-ranging study embraces literature, history, politics and international relations, and makes a significant contribution to the study of memory

We see famine and look for the likely causes: poor food distribution, unstable regimes, caprices of weather. A technical problem, we tell ourselves, one that modern social and natural science will someday resolve. Jenny Edkins responds to the contrary: famine in the contemporary world is not the antithesis of modernity but its symptom. A critical investigation of hunger, famine, and aid practices in international politics, Whose Hunger? shows how modernity frames our understanding of famine-and, consequently, shapes our responses. Edkins examines Malthus and the origins of famine theory in notions of scarcity. Drawing on the work of Lacan, de Waal, Foucault, Zizek, and particularly Derrida, she considers Amartya Sen's entitlement approach, the Band Aid/Live Aid events, and food for work projects in Eritrea as examples of the technologization and repoliticization of famine. From the politics of famine to the practices of aid, from the theories of modernity to the complex emergencies of modern life, from the broad view to the telling detail, this searching book takes us closer to a clear understanding of some of the worst ravages of our time.

In recent years we have witnessed an increasing convergence of work in International Politics and Performance Studies around the troubled, and often troubling, relationship between politics and aesthetics. Whilst examination of political aesthetics, aesthetic politics, and politics of aesthetic practice has been central to research in both disciplines for some time, the emergence of a distinctive 'performative turn' in International Politics and a critical return to the centrality of politics and the concept of 'the political' in Performance Studies highlights the importance of investigating t