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This article explores some conditions and effects of the publishing of Lennart Nilsson's photographs of embryos and fetuses in magazines and other media. It looks especially at how these images related to the abortion controversies in Sweden in the wake of the first Abortion Act in 1938 and up to the second and still current legislation in 1974. During the period Nilsson contributed photographs to anti-abortion campaigns led by prominent doctors and supported by editors in the popular press. The embryos and fetuses depicted in the images were increasingly aestheticised and their human traits emphasised. After the 1965 publication of 'Drama of Life before Birth' in Life magazine and A Child is Born, however, his photo essays started to express a more positive view of abortion on demand. It is suggested that these shifting strategies and visual styles can be connected to the various interests of Nilsson and his collaborators. ; Medicine at the borders of life: Fetal research and the emergence of ethical controversy in Sweden

Exploring a wide variety of visualizations of pregnancy and fetuses through 300 years of history, this timely volume offers a fresh look at the influential feminist concept of the "public fetus." Images of pregnant and fetal bodies are today visible everywhere. Through ultrasound screenings at maternity clinics, birth videos on social media platforms, or antiabortion propaganda, visualizations of pregnancy are available and accessible as never before. The origins of today's visual culture of pregnancy are often traced back to the 1960s, when Swedish photographer Lennart Nilsson's stunning photographs of human development were published in Life magazine and widely disseminated over the world. But the public display of pregnant and fetal bodies actually has a much longer and more complex history. In this timely book, a group of scholars from a range of disciplines explores this multifaceted history by highlighting visualizations of pregnant and fetal bodies in a variety of geographical and cultural contexts, spanning a period of more than 300 years. By reengaging with the crucial concept of the "public fetus," coined by feminist scholars in the 1980s and 1990s, the volume aims to revitalize the scholarly discussion on the visual culture of pregnancy and demonstrate the constructed nature of fetal images. Including chapters on a wide variety of representations in different media, such as wet specimen collections, papier-mâché models, sculpture, film, and photography, the book provides a much-needed argument against the widespread notion of the "universal" fetus. On publication this title is available as an Open Access ebook under the Creative Commons License: CC-BY-NC-ND.

Communicating the History of Medicine critically assesses the idea of audience and communication in medical history. This collection offers a range of case studies on academic outreach from historical and current perspectives. It questions the kind of linear thinking often found in policy or research assessment, instead offering a more nuanced picture of both the promises and pitfalls of engaging audiences for research in the humanities.

For whom do academic researchers in the humanities write? For academics and, indirectly, at least for students, but there are hopes that work reaches broader audiences and that it will have an impact on policy or among professional experts outside of the humanities. Today impact is more and more discussed in the context of research assessment. Seen from a media theoretical perspective, impact may however be described as a case of 'audiencing' and the creation of audiences by means of media technologies.

This book argues for a historical perspective on issues relating to the notion of participatory media. Working from a broad concept of media - including essays on the 19th century press, early sound media, photography, exhibitions, television and the internet - the book offers a broad empirical approach to different modes of audience participation from the mid 19th century to the present. Using the insights from the historical case studies, the book also explores some of the key concepts in discussions on the politics of participation, arguing for a theoretical perspective sensitive to the