Suchergebnisse

In Europe, the historical representation and narration of China and the Orient more in general from an outsider's point of view has conjured up an exotic and a-historical image of a poetical, mystical and refined civilization. In Walpole's Britain, for example, "the argument from the Chinese"—namely, the admiration for a prosperous and densely populated kingdom which did not belong to a single faith—was frequently used in religious disputes when claiming a wider or more coherent policy of tolerance or seeking to cut down the prerogatives of the clerical hierarchies. This chapter explores further Western uses of "the argument from the Chinese" in modern times and through different media (Antonioni; Yanne; Martin).

Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of figures; Acknowledgements; Notes on contributors; List of abbreviations; Introduction: Feeling exclusion, generating exclusion; Notes; Bibliography; PART 1: Belonging and displacement; 1. Emotion, exclusion, exile: The Huguenot experience during the French religious wars; Notes; Bibliography; 2. Cross-channel affections: Pressure and persuasion in letters to Calvinist refugees in England, 1569-1570; Materialising family and faith communities; Feelings in circulation; The experience of exclusion; Conclusions; Notes

"The focus of Through Your Eyes: Religious Alterity and the Early Modern Western Imaginations is the (mostly Western) understanding, representation and self-critical appropriation of the "religious other" between the sixteenth and eighteenth centuries. Mutually constitutive processes of selfing/othering are observed through the lenses of creedal Jews, a bhakti Brahmin, a widely translated Morisco historian, a collector of Western and Eastern singularia, Christian missionaries in Asia, critical converts, toleration theorists, and freethinkers: in other words, people dwelling in an 'in-between' space which undermines any binary conception of the Self and the Other. The genesis of the volume was in exchanges between eight international scholars and the two editors, intellectual historian Giovanni Tarantino and anthropologist Paola von Wyss-Giacosa, who share an interest in comparatism, debates over toleration, and history of emotions"--