Search results

Author's Note -- Illustrations -- II. Geographical Setting -- III. The Eleventh Century -- IV. Merchant-Banker, Scholar, and Communal Leader -- V. The India Traders -- VI. Twelth Century and Later -- VII. Accounts -- VIII. Travel and Transport -- List of Geniza Texts Translated

"David Warren Sabean was a pioneer in the historical-anthropological study of kinship, community, and selfhood in early modern and modern Europe. His career has helped shape the discipline of history through his supervision of dozens of graduate students and his influence on countless other scholars. This book collects wide-ranging essays demonstrating the impact of Sabean's work has on scholars of diverse time periods and regions, all revolving around the prominent issues that have framed his career: kinship, community, and self. The significance of David Warren Sabean's scholarship is reflected in original research contributed by former students and essays written by his contemporaries, demonstrating Sabean's impact on the discipline of history"--Provided by publisher

Spanish-British relations changed during the first three decades of the 19th century. Both states emerged victorious from the Napoleonic wars and were united by the alliance, but their respective strength was totally different. While Great Britain enhanced its status as a sea power, strong enough to affect the political situation in Europe, Spain sank to the rank of a secondary state. Britain, protecting clearly defined interests, carried out long-term and rational policy. Spain's policy was inconsistent and it could not be treated as a reliable ally in spite of its considerable economic resources and strategic importance. The book analyses a long and complex process of overcoming the traditional hostility between the two countries and outlines the international context as well as the internal conditions of that political evolution

The book adds new studies of memories and interactions between Jews and non-Jews to the historical and cultural research on this topic. It gathers in one volume the results of work by scholars from several countries, while the topics of the articles cover various disciplines: history, sociology, psychology, literary and language studies. The specific themes refer to the cultures and interactions with non-Jews in places such as Kiev, Vienna, Ireland, Springfield, Sosúa as well as reflect upon interactions in literary texts by Czeslaw Milosz and other Polish writers, some contemporary Jewish-American novelists and South American writers. Finally there are texts referring to the experience of the Holocaust and the post-Holocaust trauma as well as German-Israeli and Polish-Jewish relations and heritage

What would a good world for women look like? How would we get there from where we are and how would we have to change ourselves in the process? This book examines a critical moment in recent American and western European history when the utopian dimension of political movements was particularly generative and feminism was at their core. The imaginative literature that emerged out of American, French, and German feminisms of the 1970s engaged the dialectic between the actual and the possible in radically new and creative ways. Ranging from conventional utopian and science fictions to avant-garde and experimental texts, they countered the idea of utopia as a pre-set goal with the idea of the utopian as a process of «dreaming forwards.»This book explores the transformative potential of feminist visions of change, even as it sees their ideological blind spots. It does more than simply look back to the 1970s. Instead, it looks ahead, anticipating some of the shifts and changes of feminist thought in the following decades: its transnational scope, its critique of identity politics and the gendered politics of sexuality, and its embrace of affect as an analytical category. The author argues that the radical utopianism of second wave feminisms has not lost its urgency. The transformations they envisioned are still our challenge, as the vital work of social change remains undone

How does the visual nature of spectacle inform the citizenry, destabilize the political, challenge aesthetic convention and celebrate cultural creativity? What are the limits – aesthetic, political, social, cultural, economic – of spectacle? How do we explain the inherently exclusionary, revolutionary, dehumanizing and utopian elements of spectacle?In this book, authors from the fields of cultural studies, cinema studies, history and art history examine the concept of spectacle in the German context across various media forms, historical periods and institutional divides. Drawing on theoretical models of spectacle by Guy Debord, Max Horkheimer and Theodor Adorno, Jonathan Crary and Michel Foucault, the contributors to this volume suggest that a decidedly German concept of spectacle can be gleaned from critical interventions into exhibitions, architectural milestones, audiovisual materials and cinematic and photographic images emerging out of German culture from the Baroque to the contemporary

Rudolf Hermann Lotze (1817–1881) fut l'une des figures majeures de la philosophie allemande au XIXe siècle. Philosophe, logicien, psychologue, médecin, il a connu à son époque une renommée extraordinaire. Professeur de philosophie à l'Université de Göttingen, où il succéda à Herbart, il mena un parcours de recherche aussi original qu'influent. Entre romantisme et positivisme, entre naturalisme et historicisme, sa doctrine ne s'est jamais confondue avec les courants les plus importants de son époque. Admirée et suivie, autant en Allemagne qu'à l'étranger, sa pensée fut ensuite, après sa mort, condamnée à l'oubli en raison de son supposé éclectisme méthodologique et, finalement, classée sous la rubrique ambiguë d'« idéal-réalisme ». Le legs de Lotze s'inscrit dans un rapport complexe à la phénoménologie, à la philosophie analytique naissante, au pragmatisme américain et au néokantisme allemand jusqu'à Heidegger. L'analyse de ce legs n'a cependant jamais bénéficié d'une réflexion critique capable d'en mesurer la portée et les limites. Par un travail d'évaluation historico-critique, ce volume se propose de combler cette lacune

Introduction: 'Otaku Research' Past, Present and Future -- Section 1: The 1980s: 1. 'Otaku' Research and Anxiety About Failed Men / Patrick W. Galbraith ; 2. The Birth of 'Otaku:' Centring on Discourse Dynamics in Manga / Burikko Yamanaka Tomomi (Yokohama National University, Japan) ; 3. Opening the Black Box of the 1989 Otaku Discourse / Björn-Ole Kamm ; Section 2: The 1990s: 4. Traversing Otaku Fantasy: Representation of the Otaku Subject, Gaze, and Fantasy in Otaku no Video / Shen Lien Fan (University of Utah, USA) ; 5. Introduction to Otaku Studies / Okada Toshio (Osaka University of Arts, Japan) -- Section 3: The 2000s: 6. The Construction of Discourses on Otaku: The History of Subcultures from 1983 to 2005 / Aida Miho (Hiroshima City University, Japan) ; 7. Train Man and the Gender Politics of Japanese 'Otaku' Culture: The Rise of New Media, Nerd Heroes and Consumer Communities / Alisa Freedman (University of Oregon, USA) ; 8. The Transformation and the Diffusion of 'Otaku' Stereotypes and the Establishment of 'Akihabara' as a Place Brand / Kikuchi Satoru (Shinshu Unviersity, Japan) ; 9. The Transition of Otaku and Otaku Okada Toshio ; 10. 'Otaku' as Label: Concerns over Productive Capacities in Contemporary Capitalist Japan / Thiam Huat Kam -- Index.