Article(electronic)#1August 3, 2003
Feminisme og frihet
In: Nytt norsk tidsskrift, Volume 20, Issue 3, p. 333-344
ISSN: 1504-3053
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Book(print)#41986
Kvinders former - i musik, film, foto, billedkunst, litteratur
In: Årbog for kvindeforskning 2 (1986)
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Article(electronic)#7May 22, 2003
Feminisme, kjønn og tolkning. Refleksjon over metodiske og teoretiske problem og program i studiet av feministisk liturgi og ritualiserende kvinner
In: Norsk teologisk tidsskrift, Volume 104, Issue 2, p. 59-88
ISSN: 1504-2979
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Feministisk teori, kvinne- og kjønnsforskning i Rogaland
In: AmS-Varia 41
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Article(print)#122004
Den moralske renhet og dens fiender: Et forsok pa finne amerikansk utenriks-politikks idemessige rotter
In: Internasjonal politikk, Volume 62, Issue 3, p. 347-368
ISSN: 0020-577X
What can account for the distinctive American style of political discourse, the independent course of US foreign policy, & the stubbornly enduring popularity of George W. Bush? The article argues that both rest on the deep structure of American thought that is on the one hand highly dualistic & on the other obsessed with the notion of purity. These produce a worldview in which the "Good" is wholly, indivisibly good, the "Bad" is wholly, indivisibly evil & "Good" is at eternal risk of corruption. This mental framework is first illustrated by means of two popular films, the 1989 Bill and Ted's Excellent Adventure & the 1964 Dr. Strangelove. Finally, the author draws on the work of anthropologist Mary Douglas to analyze the consequences of this way of thinking for US foreign policy, & argues that such a dichotomous worldview faces constant challenge from the existence of phenomena that do not easily fit it. Much of US foreign policy can accordingly be understood as varying strategies to protect American purity & to resolve ambiguous phenomena that threaten the prevailing American moral code. 20 References. Adapted from the source document.
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Book(print)#152000
Nu er det nok: så er det sagt
Indhold: Nu er det nok - så er det sagt / Anita Frank Goth ... [et al.]. Susanne Brønnum Cordes: Kroppen I-VII. Eva Leisner: Dem drengene er vilde med. Bushra Naseem: Sig til de troende mænd, at de skal sænke deres blikke. Line Møller Jensen: Bytte-bytte købmand -. Zoé: WYSIWYG. Sofie Thorsen: Would all women please leave the room. Lærke S. Engelbrecht: Breve fra Lærke. Agnete Braad: Sæuen. Maria Zennaro: Bikini-indekset. Johanne Mygind: Nedringede ambitioner. PUT: Vi vil have en lesbisk bar og den skal ligge her. Mette Bom: Når Alba læser op af novellen. Ann-Charlotte Monrad Hansen: Narnia, Pushkar, London, Amager. Kirstine Roepstorff: Thinking girls. Gritt Uldall-Jessen: Performer på kønnets scene. Katrina Schelin: Mig & Marilyn. Sakena Ali: De slemme piger. Rie Grønbech: Hertil og ikke længere. Sarah Højgaard Cawood: Da neandertalerne tog min potens. Sigrid Bjerre Andersen: Spejlbilleder. Louise Witt-Hansen: Carlsberg bunnies. Lene Myong Petersen: Fra negerbarn til kinadukke. Katya Sander: Michael, Doris, Aurelio, Ann-Karina, Christine og Lisa, Per, Ole, Preben og -
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