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An article about the regional priorities of open education in Russia. The author examines the trends, causes and patterns of development of open (distance) education in Russia. Particular attention is paid to the analysis of contradictions objectively encountered during implementation of open education. Subjected to criticism formal approach, dominant in the implementation of distance technologies in the Russian Federation.

The process of formation of a single government politics in the sphere of industrial property is discussed. It is pointed out that economical significance of the objects of IP is rising because of priority orientation of the Russian science and industry on making scientific, good production. The questions of effective legal protection and commerce realization of the IP objects are also touched. It is settled that support and development of the patent service in the institutions of higher education are necessary. ; Обсуждается процесс формирования единой государственной политики в области промышленной собственности. Подчеркивается возрастающая экономическая значимость объектов ИС в связи с приоритетной ориентацией отечественной науки и промышленности на создание наукоемкой, конкурентоспособной продукции. Затрагиваются вопросы эффективной правовой охраны и коммерческой реализации объектов ИС. Обосновывается необходимость поддержки и развития патентной службы в составе вуза.

Parallel to radical changes in Russian society in the last decades of the 20th century are transformations in literary methods and genres. There is a widespread notion that new tendences in this sphere were born as a reaction to the uniformistic, boring Sovjet literature of the previous period. Valerija Narbikova was one of the new names which manifested the arrival of postmodernist literature (1989), with its neglect of social and political realities and concentration on the egocentric inner life of an individual and, unusually for Russian literature of the time, its acceptance of sex as the most important part of life, an expression of the desperate need for love and understanding and helplessness in the attempt to discover the meaning of human existence. Narbikova's prose is interesting not for its philosophy, which is intentionally very simple, but for its inventive use of language, for its intertextuality and vitality. Narbikova became almost a cult figure in the 1990s. Her latest novel was published in 1996, and since then she has been silent. Russian society has changed, the reader has become mature, and one may ask oneself in what directions this type of prose might possibly develop.