Search results

Preliminary Material /S. Blackburn -- Chapter One. Introduction /S. Blackburn -- Chapter Two. Apatanis And Their Valley /S. Blackburn -- Chapter Three. The Subu Heniin Text /S. Blackburn -- Chapter Four. The Murung Festival /S. Blackburn -- Chapter Five. The Nyibu Performer /S. Blackburn -- Chapter Six. The Subu Heniin In Translation /S. Blackburn -- Chapter Seven. Conclusions And The Future /S. Blackburn -- Appendix A. Outline Of Murung Events /S. Blackburn -- Appendix B. Number Of Murungs, 1944/1945–2009 /S. Blackburn -- Appendix C. Sacrificial Shares For Spirits And Humans /S. Blackburn -- Appendix D. Transcription Of The Subu Heniin /S. Blackburn -- Appendix E. Mudan Pai's Life-History /S. Blackburn -- Appendix F. Feasts Of Merit In The Extended Eastern Himalayas /S. Blackburn -- Bibliography /S. Blackburn -- Index /S. Blackburn.

"This work is the first English translation of the complete text of the Title of Totonicapán, one of the most important documents composed by the K'iche' Maya in the highlands of Guatemala in 1554. This volume contains a new translation from the original text, based on a manuscript copy rediscovered by Robert Carmack in 1973."

"This film illustrates the changes the Lepcha of the Dzongu reserve, North Sikkim, have been through in the last 60 years. From the 1940's, the Lepcha of Tingvong village gradually abandoned hunting, gathering and the slash and burn cultivation of dry rice, and became settled agriculturalists. Entire mountains sides were converted to cardamom and terraced for the cultivation of irrigated paddy. The irrigated rice and the cardamom cash crop not only brought the Lepcha within Sikkim's market economy but helped create a surplus which could among other things be invested in religion. In the 1940's, the Lepcha of Tingvong embraced Buddhism and all its complex rituals without however abandoning their strong shamanic traditions. Today, both forms of rituals amiably co-exist in the village. This film is part of a long-term visual anthropology training project for the tribal communities of Sikkim."--Original container

"Este libro explica la construcción social del conocimiento de la matemática maya. Lo hace con el fin de evidenciar su naturaleza, sus criterios de organización y su vivenciación que sustentan la epistemología de la matemática maya. Está basado en un estudio etnográfico-participativo realizada con la comunidad maya Tz'utujil. Utiliza la socioepistemología como marco teórico para su abordaje, y por el carácter sistémico de este enfoque, prioriza dos aspectos fundamentales a saber: el carácter científico y la cosmovisión de la cultura maya."--Back cover

"If you peer closely into the bookstores, salons, and diplomatic circles of the eighteenth-century Atlantic world, sooner or later Médéric Louis Élie Moreau de Saint-Méry is bound to appear. As a lawyer, philosophe, and Enlightenment polymath, Moreau created and compiled an immense archive that remains a vital window into the fragile social, political, and intellectual fault lines of the Age of Revolutions. But the gilded spines and elegant designs that decorate his archive obscure the truth: Moreau's achievements were, at every turn, predicated upon the work of enslaved and free people of color. Their labor amassed the wealth that afforded him the leisure to research, think, and write. Their rich intellectual and linguistic cultures filled the pages of his most applauded works. They set the type, dried the paper, and folded the pages that created his legacy. Every beautiful book Moreau designed contains an embedded story of hidden violence. Sara Johnson's arresting investigation of race and knowledge in the revolutionary Atlantic surrounds Moreau with the African-descended people he worked so hard to erase, immersing him in a vibrant community of language innovators, forgers of kinship networks, and world travelers who strove to create their own social and political lives. Built from archival fragments, creative speculation, and audacious intellectual courage, Encyclopédie noire is a communal biography of the women and men who made Moreau's world"--