Search results

Organizing the Voice of Women: A Study of the Polish and Swedish Women's Movements' Adaptation to International Structures, by Eva Karlberg, is reviewed by Kirsti Stuvøy, Associate Professor, Faculty of Landscape and Society, International Environment and Development Studies (Noragric), Norwegian University of Life Sciences (NMBU).

Helge Blakkisrud (Norwegian Institute of International Affairs) reviews the anthology Nationhood and Politization of History in School Textbooks: Identity, the Curriculum and Educational Media, edited by Gorana Ognjenović and Jasna Joselić.

Abstract: The Russian Understanding of War: Blurring the Lines between War and PeaceJulie Wilhelmsen (NUPI, Norwegian Institute of International Affairs) reviews The Russian Understanding of War: Blurring the Lines between War and Peace by Oscar Jonsson.

The Politics of Poverty in Contemporary Russia, by Ann-Mari Sätre, is reviewed by Kirsti Stuvøy, Associate Professor, Faculty of Landscape and Society, International Environment and Development Studies (Noragric), Norwegian University of Life Sciences (NMBU).

Abstract: What has Remained of the USSR – Exploring the Erosion of the Post-Soviet SpaceFlemming Splidsboel Hansen (Danish Institute for International Studies) reviews What has Remained of the USSR – Exploring the Erosion of the Post-Soviet Space, edited by Arkady Moshes and András Racz.

Abstract: Political Culture in the Baltic States. Between National and European IntegrationEglė Kesylytė-Alliks (researcher at Institute of International Relations and Political Science, Vilnius University) reviews Political Culture in the Baltic States. Between National and European Integration written by Kjetil Duvold, Sten Berglund and Joakim Ekman.

This essay offers a succinct but comprehensive overview of Icelandic cinema from its early 20th-century emergence to the present day. Split into two parts, the first half focusses on filmmaking in Iceland prior to the founding of the Icelandic Film Fund in 1978, which was to establish a continuous local film production for the first time. Prior to that filmmaking in Iceland boiled down to the occasional efforts of local amateurs, albeit often quite skilled ones, and professional filmmakers visiting from abroad. Indeed, the few silent feature films made in the country all stemmed from foreign filmmakers adapting Icelandic literature and taking advantage of its photogenic landscapes. The first Icelandic feature was not made until 1948 and although immensely popular, like those that followed in its wake, the national audience was simply too small to sustain filmmaking without financial support. Although this changed fundamentally with the Icelandic Film Fund, which instigated contemporary Icelandic cinema and the subject of the essay's second half, the Fund's support proved insufficient as the novelty of Icelandic cinema began to wear off at the local box office in the late 1980s. The rescue came from outside sources, in the form of nordic and European film funds, whose support was to transnationalize Icelandic cinema in terms of not only financing and production but also themes and subject material. These changes are most apparent in Icelandic cinema of the 1990s which also began to garner interest at the international film festival circuit. In the first decade of the twenty first century, however, American genre cinema began to replace the European art film as the typical model for Icelandic filmmakers. Hollywood itself also began to show extensive interest in Icelandic landscapes for its runaway productions, as did many other foreign film crews. In this way Icelandic cinema is increasingly characterized by not only national and transnational elements but also international ones.

This article begins by examining strategic culture studies, in particular Alan Bloomfield's concept of different sub-cultures in strategic culture. It then focuses on the border between Russia and Finland and how Finnish EU membership was made possible by Finland's decision not to challenge the WWII border treaty with the Soviet Union after the Soviet collapse. Next, it investigates the debates and public opinion relating to Finland's 1994 EU referendum, to see how the dynamics changed three strategic cultural sub-groups: "self-defence", "Westernisers" (including Western international organizations) and "Reassurance and Dialogue with Russia". In conclusion, it is argued that EU membership altered the hierarchy of these strategic culture sub-groups in Finland, as well as their substance. These changes were, however, more evolutionary than revolutionary.

Abstract: EU Actorness in the South Caucasus: Possibilities and LimitationsDespite significant institutional changes and refinements since its creation in 2004, the ENP (European Neighborhood Policy) remains a major tool available to the EU for providing incentives for reform and stability in non-member states through the diffusion of its norms and rules. Earlier studies, drawing on the Europeanization conceptual framework, have been mostly concerned about how and by which mechanisms compliance with EU rules takes place, rather than focusing on whether and to what extent it occurs. By contrast, this article assesses the actorness of the EU in three countries of the South Caucasus (Georgia, Armenia and Azerbaijan), viewing actorness as composed of three dimensions – capability, opportunity, and presence – enabling and constraining the aspirations of the EU to be an international actor in the South Caucasus.

Abstract: Who is responsible for the protection of human rights in Kosovo?Human rights are central in the international community's missions in Kosovo. Moreover, Kosovo's 2008 Constitution lists eight directly applicable human rights instruments, along with detailed instructions on how they are to be interpreted in line with developments at the European Court of Human Rights (ECtHR). And yet, human rights protection is lacking in the region. Potential violations attributable to the local authorities can be adjudicated, but only through the national courts, which raises questions of independence and impartiality. Meanwhile, NATO's Kosovo Force (KFOR) and the European Union's Rule of Law Programme (EULEX) enjoy immunity against prosecution by the domestic courts while still wielding some executive and judicial power. EULEX has an internal human rights panel, modelled on the less-than-successful panel established to hold the UN's Mission in Kosovo (UNMIK) accountable, while KFOR has no similar judicial body. This article maps which options individuals have for addressing human rights violations in Kosovo and where the system still has its weaknesses. Additionally, it traces how the jurisdictions have changed in the past 15 years and proposes a way forward to fill the lacunae that remains.

Kosningaréttur er grundvallarréttur þegna í lýðræðisríkjum og þátttaka í kosningum álitin ein af mikilvægustu athöfnum borgaranna. Þó að þessi réttindi skuli tryggð öllum þegnum sýna alþjóðlegar rannsóknir að fatlað fólk er víða útilokað frá þátttöku í kosningum. Fatlað fólk er síður líklegt til að kjósa en ófatlað fólk og mætir iðulega ýmsum hindrunum ef það reynir að taka þátt í kosningum. Þessi grein fjallar um kosningaþátttöku fatlaðs fólks með hliðsjón af niðurstöðum alþjóðlegra rannsókna. Í upphafi eru raktar helstu hindranir í vegi kosningaþátttöku fatlaðs fólks og leitast við að svara hvaða áhrif þessar hindranir hafi, ekki aðeins fyrir fatlaða borgara, heldur jafnframt hvað það þýði fyrir heilbrigði lýðræðis og lýðræðislegra stofnana þegar hluti þegnanna mætir alvarlegum hindrunum varðandi borgaraleg grundvallarréttindi. Íslenskar rannsóknir á þessu sviði eru ekki fyrir hendi og engin skipuleg tölfræðileg gögn eru til varðandi þátttöku fatlaðs fólks í kosningum eða stjórnmálum hér á landi. Byggt á gögnum sem aflað var hjá tveimur fjölmennustu heildarsamtökum fatlaðs fólks hér á landi er rýnt í reynslu, aðstæður og möguleika fatlaðs fólks til þátttöku í kosningum á Íslandi, lagasetningar þar að lútandi og skyldur ríkisins til að stuðla að og tryggja þátttöku fatlaðs fólks í stjórnmálum og opinberu lífi, ekki síst í ljósi þess að Samningur Sameinuðu þjóðanna (SÞ) um réttindi fatlaðs fólks (SRFF) hefur verið fullgiltur hér á landi ; The right to vote is a fundamental right of citizenship in democratic nations, and participation in elections in one of the most important acts undertaken by citizens. Although these rights are guaranteed to all citizens, international research shows that disabled people are widely excluded from participation in elections. Disabled people are less likely to vote than non-disabled people and often encounter various obstacles when they try to participate in elections. This article discusses the voting participation of disabled people in consideration of the international research. The main barriers that disabled people encounter in the voting process will first be outlined. This will be followed by questions concerning the effects these obstacles produce, not only for disabled citizens, but what this means overall for the health of democracy and democratic institutions when a portion of the citizenry encounter serious obstacles concerning their basic civil rights. Icelandic research in this field is extremely limited and no systematic statistical data exists on the participation of disabled people in elections, or politics in general, in this country. Based on data drawn from sources from two of the largest disabled people's organization in the country, the focus here is on the experiences, circumstances and opportunities for disabled people to participate in elections in the country. The findings draw attention to the obligations of the state to promote and ensure the participation of disabled people in politics and public life in light of the recent ratification in Iceland of the UN Convention on the Rights of Persons with Disabilities (CRPD) ; Peer Reviewed

This article discusses the phenomenon of self-harming or "non-Suicidal Self-In-jury" (nSSI). The International Society for the Study of Self-Injury defines non-sui cidal self-injury as the deliberate, self-inflicted damage of body tissue without suicidal intent and for purposes not socially or culturally sanctioned." The article discusses the cultural and social representations of self-injury, what is implied in it, who engages in it, and for what reasons. A lot can be deduced from interviews with self-harmers who use it to gain control over bad feelings and stress, by hurting their body and participating in risky behaviour. This dangerous activity often has more complicated sides with reference to rituals and spiritual associations to bloodletting, cleansing of all evil and healing, absolution and much wanted peace of mind. Finally, the changes in self-harming discourse and channels of communication are discussed. It has opened up during the last two decades with the arrival of social media. The self-harmers have built their own subcultures with special aesthetics and often preferring theatrical staging or performances instead of verbal expres-sion. These channels can have an uncanny power and influence over young and vulnerable people. The conclusion of the article is that all this requires an informed discussion as a special world, a special angst which is expressing itself in ways that might develop into suicidal behaviour if it is not taken seriously.