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The author treats the topic of AIDS as a focal point for artistic politics in the United States and, eventually, in a larger international context as well. He considers a range of representations of AIDS in contemporary art since the 1980s & considers how AIDS became a pivotal point around which thinking about artists' activism & art as social intervention turned. He discusses AIDS as a paradigmatic case for a new global, biopolitical, & mediatized cultural phenomenon that bore with it a new ensemble of political, moral, & economic effects, in turn profoundly affecting conceptions of aesthetics & activist art. In the latter part of the essay, he develops a typology of strategies utilized by artists in addressing the problem of AIDS: 1) transcoding strategies; 2) media critiques and/or critiques of culture industry representations of AIDS; 3) alternative publicity; 4) AIDS exemplars; & 5) strategies of mourning & memoralization. Adapted from the source document.

A world government based on democratic principles would be ideal, but this is unlikely to come about any time soon. However, the mere impossibility of immediately implementing an idea does not make that idea wrong. Meanwhile one can work through existing institutions such as the UN and European Union to improve accountability in the arena of world politics. Adapted from the source document.

International Politics has been characterized as an American social science. This article traces the early development of the discipline in Sweden in the shadow of US hegemony. The advantages & disadvantages of the Swedish decision to keep International Relations (IR) within the broader discipline of Political Science are discussed. Recalling the early tensions between International Politics & Peace & Conflict Research, the author identifies some prominent traits in the development of Swedish IR in recent decades. Finally, broader developments in IR research generally are outlined in terms of consecutive debates, continuously broadening research themes, fashions, reaction to dramatic events in the world, & dialectics between paradigms emphasizing anarchy or order. References. Adapted from the source document.