The purpose of this paper is to present the foundations of metaphysical atomism from the production of knowledge in classical antiquity. It is not necessarily opening any kind of discussion about the production of contemporary knowledge about the reality of the atom. It is to present the theoretical foundations of Greek base, whose effects were felt in later developments of the metaphysical atomism. Thus, the intention is not to present a specific work of the History of Philosophy and History of Science, but rather a study of the philosophy of science in the context of its history; therefore faced the question of what would be the epistemic competence that defines philosophy in its essence, we found another way to try to determine it unless referring to his own story.
Augustus has been represented in many ways in Western culture, but we must point out that in the big and small screen (except for some more recent productions), the audiovisual narratives about him are less common than those dedicated to other political leaders in Rome. Throughout the twentieth century, films set in Classical Antiquity emerged within a framework of late appropriation of the eighteenth century visual and literary culture, integrating narratives and images about Augustus that anticipated his filmic appearance. On one hand, representations of Imperial Rome on the screen tended to show a globalized and multicultural society and projected vague ideas of melting pot or American pax; on the other, we have seen recreations that balance between authenticity, entertainment and moralizing attitudes. Between these boundaries, various narratives and audiovisual compositions have been shaped around the historical figure of Augustus, which, in our opinion, must be reinterpreted within the framework of the so-called Studies of Reception, Film Studies and the History of Culture itself. ; Augusto ha sido representado de distintas maneras en la cultura occidental, pero debemos señalar que, en la gran y la pequeña pantalla (a excepción de algunas producciones más recientes), las narrativas audiovisuales al respecto son menos comunes que las dedicadas a otros líderes de Roma. A lo largo del siglo XX, la película histórica sobre la Antigüedad Clásica surgió en un marco de apropiación tardía de una cultura visual y literaria ochocentista que incorporó narrativas y figuraciones sobre Augusto en referencias anunciadoras de su aparición cinematográfica. Por una parte, las representaciones de los comienzos de la Roma imperial en la pantalla se han inclinado a enseñar una sociedad globalizada y multicultural, proyectando asimismo ideologías difusas demelting potopaxnortemericana; por otra, se han valorizado reinvenciones que oscilan entre una deseada autenticidad, el entretenimiento e la moralización de las costumbres. Entre estas fronteras se han moldeado narrativas variadas y composiciones audiovisuales en torno a la figura histórica de Augusto, que, en nuestra opinión, deben ser reinterpretadas en el marco de los denominados Estudios de Recepción, de los Estudios Fílmicos y de la propia Historia de la Cultura. ; Augusto tem sido representado de formas diversas na cultura ocidental, mas devemos assinalar que, no grande e no pequeno ecrã (excetuando algumas produções mais recentes), as narrativas audiovisuais a seu respeito são menos comuns do que as dedicadas a outros líderes políticos de Roma. Ao longo do século XX, o filme histórico sobre a Antiguidade Clássica surgiu num quadro de apropriação tardia de uma cultura visual e literária oitocentista que incorporou narrativas e figurações sobre Augusto em referências prenunciadoras da sua aparição fílmica. Por um lado, as representações dos inícios de Roma imperial no ecrã tenderam a mostrar uma sociedade globalizada e multicultural e projetaram ideologias difusas de melting pot ou pax americana; por outro, têm-se apreciado recriações que oscilam entre uma pretendida autenticidade, o entretenimento e a moralização de costumes. Entre estas fronteiras se têm moldado variadas narrativas e composições audiovisuais em torno da figura histórica de Augusto que, em nossa opinião, devem ser reinterpretadas no quadro dos denominados Estudos de Receção, dos Estudos Fílmicos e da própria História da Cultura.
This volume aims to investigate, with an interdisciplinary approach, how legal property regimes, land law and land registration systems are intertwined with economic, social, and political spheres; to analyse the social functions and legal and political implications of various land registration systems in different contexts and how, for example, they operated in a colonial framework; to scrutinise the relations between politics and property, as well as the transformation of the property concept, in its meaning and function. ; Introduction / Elisabetta Fiocchi Malaspina - Simona Tarozzi (pp. 9-13). -- Transfer of Immovable Properties, Publicity and Land Law in the Age of Justinian: the Perspective of the Praetorian Prefect / Silvia Schiavo (pp. 15-28). -- L'evasione fiscale come problema circolare nelle esperienze storiche: esempi della tarda antichità / Paola Bianchi (pp. 29-50). -- Land Grant in Late Antiquity: a pattern for Modern Colonial Regulations? / Simona Tarozzi (pp. 51-67). -- Contextualización iushistórica de la reforma agraria chilena (siglo XX) / Agustín Parise (pp. 69-93). -- La influencia del Derecho Romano en la adquisición y en el sistema de transferencia en los derechos reales en el siglo XIX, Argentina / Pamela Alejandra Cacciavillani (pp. 95-110). -- The indigenous concept of land in Andean constitutionalism / Silvia Bagni (pp. 111-136). -- The "trascrizione" system in Italy from the end of the nineteenth century to the promulgation of the civil code (1942) / Alan Sandonà (pp. 137-160). -- Registro e colonialismo em Angola / Mariana Dias Paes (pp. 161-176). -- Tracing Social Spaces: Global Perspectives on the History of Land Registration / Elisabetta Fiocchi Malaspina (pp. 177-202). -- The politics of real property in the Kingdom of Sardinia, 1720–1848 / Charles Bartlett (pp. 203-226).
Res into matters of. a pol'al nature is far more ancient than the recent development of pol'al sociol (PS). The origin of such res must be sought in the Greece of Socrates, where free citizens participated in every aspect of pol'al life. It was only much later that pol'al life became a life apart, & that the relative independence of the 'soc' & 'pol'al' became accepted as an accomplished fact. In our day, we are once more identifying these 2 concepts. Pol'al sci is still the inheritor of the preoccupations of the classical philosophers of antiquity in that it devotes itself voluntarily to the construction of an Ideal State; on the contrary, PS is not interested in res of that nature. It is 'sociol' in that it studies in a sci'fic fashion all the aspects of soc life & 'pol'al' in that the aspect studied deals with the means of conquest, of the exercise & loss of power. Its field of res is an esp wide one. Tr by J. A. Broussard from IPSA.
