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Introduction / Aleksandra Wiktorowska -- Patricia Campos Mello, excerpts -- Women and literary war journalism in Brazil : from Sylvia Arruda Botelho Bittencourt to Patricia Campos Mello / Monica Martinez -- Euclides da Cunha, Consiglieri Sá Pereira, Mário Neves and Rodolfo Walsh, excerpts -- Iberian and Latin American literacy journalism under dictatorships : connections, origins and the literary journalist in action / Manuel João de Carvalho Coutinho -- Gabriel García Márquez and Rodolfo Walsh, excerpts -- Telling stories of survivors : Gabriel García Márquez, Rodolfo Walsh, and the question of narrative authority / Liliana Chávez Díaz -- Antonio Callado, excerpts -- Covering the peasants' war in Pernambuco : Antonio Callado's literary journalism / Lilian Martins, Marcelo Bulhões -- Ryszard Kapuściński, excerprpts -- Ryszard Kapuściński in Latin America, Latin America in Kapuściński's writing / Aleksandra Wiktorowska.-- Leila Guerriero, excerpts -- From ¡Basta ya! to Nunca más : Latin American literary jourrnalists, regional wars, and post-conflict societies / Roberto Herrscher -- Charles Bowden and Judith Torrea, excerpts -- La crónica como reflejo del confiicto social en Ciudad Juárez / Antonio Cuartero Naranjo, Juan Antonio García Galindo -- Óscar Martínez, excerpts -- Imaginarios apocalípticos en la crónica contemporánea / Patricia Ponblete Alday

The purpose of this article is to capture one of the key features of the political thought that developed in the United States of America. Assuming that the USA's political culture is indeed exceptional, the author attempts to find the common denominator that would reflect the singularity of the American political mind. The author states that such a feature is the radical anti-historicality of the American mode of thinking about politics. It is a phenomenon that is deeply-rooted in the political and spiritual past of the United States and seems to be crucial because it never developed to such an extent in other traditions. Furthermore, even today to a large extent it defines both the American left and right. It is also very much present in academic discussion as well as in ordinary political activities. By anti-historicality the author means the rejection of the thesis that politics within a given society depends on that society's past experience. The phenomenon defies simple normative assessments. On the one hand, it protects American politics from the perils of radical historicism; on the other hand, it hinders the USA's contacts with other political bodies. However, the author concludes that understanding American anti-historicality is crucial when entering into any relations with the USA.

The transformation of the political communication models in Venezuela and other Latin American states is related to the evolving political culture in this region, together with a bold use of media communication approached both as a means and a goal. Video-politics, defined as a process of the mediatization of the constructs of political reality, is becoming a key notion for the citizens and voters there. Using the public means of social communication Hugo Chávez has made the Aló, Presidente show an arena of political decision-making and a space focused on political personalism. An analysis of selected elements of the show provides detailed information on the rhetorical tools and other mechanisms of exerting influence applied by Hugo Chávez. On a macro-scale the media strategies applied in the show turn out to be instruments of consolidating the image of executive power in Venezuela. ; The transformation of the political communication models in Venezuela and other Latin American states is related to the evolving political culture in this region, together with a bold use of media communication approached both as a means and a goal. Video-politics, defined as a process of the mediatization of the constructs of political reality, is becoming a key notion for the citizens and voters there. Using the public means of social communication Hugo Chávez has made the Aló, Presidente show an arena of political decision-making and a space focused on political personalism. An analysis of selected elements of the show provides detailed information on the rhetorical tools and other mechanisms of exerting influence applied by Hugo Chávez. On a macro-scale the media strategies applied in the show turn out to be instruments of consolidating the image of executive power in Venezuela.

There are about 2.2 million prisoners in the USA. It is generally viewed that this number is a result of a too severe penal system connected with the introduction of the absolute intolerance for drug crimes policy. But not only gang members and drug dealers are doing time in prison, this system also applies to war veterans. In 2012, there were 181,500 veterans behind bars, especially participants of the recent wars. Most of them face problems with addiction or struggle with permanent unemployment, homelessness or psychological disorders. This phenomenon is alarming because veterans as a privileged group have a social, medical, education cover and all capabilities not to break the law. Veterans as former soldiers, disciplined and well familiar with criminal law, who received ethics and international humanitarian law training courses, from practical point of view should not break the rules stated by the legal system. The image of former veterans who served their country, totally disagree with penitentiary statistics. Recent years have shown that military service, especially in the area of conflict, may become a double-edged sword, and in fact veterans may pose a threat to society.