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Intercultural mass communication: approaches to key texts in cultrural theory
In: Series interKULTUR, European-Chinese intercultural studies 2
In: Universitätsdrucke
Mass Communication and Media play an integral part in modern societies. This publication reflects on fundamental theoretical works and recent key texts from different backgrounds such as political analysis, feminism, media studies or Cultural Theory. It is designed as a workbook in European-Chinese intercultural studies. Therefore thorough descriptions of the texts in Chinese language are backed up by additional information and questions to ponder to deepen the understanding. This book is part of the series "interKULTUR European-Chinese intercultural Studies" which consists of teaching material for intercultural studies in higher education and research results of such studies.
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Book(print)#72008
Zhong guo chuan mei feng yun lu
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Book(print)#82007
Feng yun ji dang qi shi nian Xia ce
In: Feng yun ji dang qi shi nian Xia ce
In: 风云激荡七十年 下冊
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Book(electronic)#92012
Politik Suara Rakyat
Cover -- Half Title Page -- Title Page -- Copyright Page -- Kandungan -- Prakata -- Singkatan -- Bab 1 Pendahuluan -- Bab 2 Perjuangan Suara Rakyat dan Politik Melayu Perak -- Bab 3 Akhbar dan Kesedaran Politik Melayu -- Bab 4 Pengaruh Politik Dunia kepada Gerakan Politik Melayu -- Bab 5 Hala Tuju Politik Melayu -- Bab 6 Impak Perjuangan Suara Rakyat -- Bab 7 Kesimpulan -- Lampiran -- Rujukan -- Bibliografi -- Indeks -- Back Cover
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Book(print)#102018
Hai wai Hua ren Hua qiao dui Zhong hua wen hua de chuan cheng yu chuan bo
In: Chuan bo xue lun cong
In: 传播学论丛
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Visual political communication in popular Chinese television series
In: China studies 22
Television drama series are today the most popular format on Chinese TV. The fact that these series largely portray nationalist stories of glorious emperors and courageous officials leaves the impression that they must be propaganda, designed by the Communist Party. This volume challenges such assumptions and shows how TV drama production is a complex process of cultural governance that is not dominated by one particular actor, but characterized by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. By examining political discourses in Chinese drama series and analyzing the factors leading to their creation, this book explains why Chinese TV content relies so heavily on didactical messages and emotional symbols, and argues that such content risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate
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