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"In der politikwissenschaftlichen Analyse stehen vor allem die Bundesländer und der Bund im Fokus der Aufmerksamkeit, wenn es um die Repräsentanz von Frauen in der Politik geht. Der kommunalen Ebene wird dagegen eher marginale Bedeutung seitens der Wissenschaft zugemessen. Allerdings ist die kommunale Ebene nicht nur jene, auf der die größte politische Praxisnähe herrscht, sondern hier rekrutieren Politik und Parteien auch ihren Nachwuchs für politische Führungspositionen. Insofern erhält die lokale Ebene eine zentrale Funktion, wenn es um mehr Frauen in der Politik und um Geschlechtergerechtigkeit geht. Zum einen zeigt die hier vorgestellte Studie, wie stark Frauen in deutschen Großstadtparlamenten unterrepräsentiert sind, zum anderen sucht sie nach den Ursachen und arbeitet Maßnahmen zum Abbau der Unterrepräsentanz heraus. Dabei stehen weniger die Frauen im Fokus der Analyse als vielmehr die Parteien und die institutionellen Rahmenbedingungen." (Autorenreferat)

In 1962, the late Professor Sir Bernard Crick published his seminal work In Defence of Politics. Fifty years on, formal political processes have never been in greater need of defending. In this article, former Home Secretary David Blunkett MP argues that in order to defend politics we need to change the way in which we 'do' our politics. In a 21st century response to Professor Crick's challenge to defend the role of politics in providing a counterweight to the financial markets and economic imperialism, Blunkett considers how it is possible to renew political democracy as a force for progressive change. The last five years of political and financial turmoil have seen politics smeared and even, in the case of Greece and Italy, elected governments removed and replaced by technocrats. With the power of government behind the people, it would be possible to foster a whole new spirit of seeing the political process as a way of organising, advising and yes funding a demand for something better from big institutions both public and private.

AbstractThis paper sets out diverse ways that Shakespeare's dramas can be read politically. Critics and political theorists have often concentrated on what Shakespeare said about politics—whether he was broadly republican or monarchist, protofeminist or a patriarchalist—as well as concentrating on his references to political themes of his day. Focusing on political readings of Merchant of Venice and Othello, I argue that, rather, we should pay attention to how Shakespeare plays with numerous styles of political action and role, from statesmanship and the competiton for state office or for sovereignty, to the everyday relations of kinship and friendship that interact with state government and law, and to individuals' struggles against politically established power—patriarchy, class, state law—that constrains or oppresses them. The figure of the Machiavellian political operator, whether acting for good or for ill, is contrasted with the open speaker of truth in public.