Search results

"The story of the succession to the Prophet Muhammad and the rise of the Rashidun Caliphate (632-661 AD) is familiar to historians from the political histories of medieval Islam, which treat it as a factual account. The story also informs the competing perspectives of Sunni and Shri Islam, which read into it the legitimacy of their claims. Yet while descriptive and varied, these approaches have long excluded a third reading, which views the conflict over the succession to the Prophet as a parable. From this vantage point, the motives, sayings, and actions of the protagonists reveal profound links to previous texts, not to mention a surprising irony regarding political and religious issues." "In a controversial break from previous historiography, Tayeb El-Hibri privileges the literary and artistic triumphs of the medieval Islamic chronicles and maps the origins of Islamic political and religious orthodoxy. Considering the patterns and themes of these unified narratives, including the problem of measuring personal qualification according to religious merit, nobility, and skills in government, El-Hibri offers an insightful critique of both carly and contemporary Islam and the concerns of legitimacy shadowing verious rulers. In building an argument for reading the texts as parabolic commentary, he also highlights the Islamic reinterpretation of biblical traditions, both by Quraanic exegesis and historical composition."--Jacket

GchiMiighwech --Chapter 1.Nishnaabeg Resurgence: Stories from within --Gaawiin Nda-gajsii, We Are Not Shameful --A Flourishment of the Indigenous Inside --Aanji Maajitaawin, the Art of Starting Over --Chapter 2.Theorizing Resurgence from within Nishnaabeg Thought --Gwiinmaagemi Gdi-dbaajimowinaanin, We Tell Stories --Grandmother Teachings --Our Theory is Personal --Embodied Knowledge, Unlimited Intelligence --Chapter 3.Gdi-Nweninnaa: Our Sound, Our Voice --Biskaabiiyang --Aanjigone --Naakgonige --Debwewin --Gdi-nweninaa --Chapter 4.Niimtoowaad Mikinaag Gijiying Bakonaan (Dancing on Our Turtle's Back): Aandisokaanan and Resurgence --Chibimoodaywin --Re-creation: Niimtoowaad Mikinaag Gijiying Bakonaan (Dancing on Our Turtle's Back) --Waynabozhoo and the Great Flood --Resurgence, Wiindigo and Gezhizhwazh --Nanabush Stories --Ninaatigoog --Chapter 5.Building Like a Beating Heart: A Society of Presence --Transmotion, Emergence and Mobilization --Nishnaabeg Society: A Society of Presence --Bubbling Like a Beating Heart --Creating Decolonized Time and Space --Chapter 6.Resurgence in Our Political Relationships --Echoes from the Past --Breastfeeding and Treaties --Gchi-dbaakgonigewin --Dewe'igan, the Heartbeat of the Nation --Gdoo-naaganinaa, Our Dish --Gdoo-naaganinaa in Contemporary Times --Chapter 7.Protecting the First Hill: Nurturing Eniigaanzid in Children --Aabawaadiziiwin --The Four Hills of Life --Kokum Dibaajimowinan --Leading by Following: The Seven Stages of Life --Protecting the First Hills of Life --Nengaajgchigewin in Parenting --Zhinoomoowin: Modeling and Learning by Doing --Aanjigone in Parenting --Nurturing Leaders for Resurgence --Chapter 8.Shi-Kiin: New Worlds --Stone's Throw --Shki-kiin: New Worlds --Grounding Resurgence in Our Hearts --Index.

"Daoist traditions introduced from China once flowed powerfully through the Japanese religious landscape, forever altering its topography and ecology. Daoism's presence in Japan still may be discerned in its abiding influence on astrology, divination, festivals, literature, politics, and popular culture, not to mention Buddhism and Shintō, yet few English-language studies of Daoism's influence on Japanese religious culture have been published. Daoism in Japan provides an exploration of the particular pathways by which Daoist traditions entered Japan from continental East Asia. After addressing the basic issues in both Daoism Studies and the study of Japanese religions, including the problems of defining 'Daoism' and 'Japanese', the book looks at the influence of Daoism on ancient, medieval and modern Japan in turn. To do so, the volume is arranged both chronologically and topically, according to the following three broad divisions: "Arrivals" (c. 5th-8th centuries CE), "Assimilations" (794-1868), and "Apparitions" ( 1600s-present). The book demonstrates how Chinese influence on Japanese religious culture ironically proved to be crucial in establishing traditions that usually are seen as authentically, even quintessentially, Japanese. Touching on multiple facets of Japanese cultural history and religious traditions, this book is a fascinating contribution for students and scholars of Japanese Culture, History and Religions, as well as Daoism Studies"--

1. The 1983 boycott movement : development, themes and tactics -- 2. "The sensitivity of a steamroller"? The state at cross-purposes -- 3. A new "war of religion" : ideological battle lines in 1987 -- 4. The battle in the streets, stairwells and courtrooms.

Preface / Ruth Wodak -- Introduction: Migration and crisis identity / Andreas Musolff and Lorella Viola -- 1. A comparative analysis of the keyword multicultural(ism) in French, British, German and Italian migration discourse / Melani Schröter, Marie Veniard, Charlotte Taylor and Andreas Blätte -- 2. Polentone vs terrone: A discourse-historical analysis of media representation of Italian internal migration / Lorella Viola -- 3. Featuring immigrants and citizens: A comparison between Spanish and English primary legislation and administration information texts (2007-2011) / Purificación Sánchez, Pilar Aguado and Pascual Pérez-Paredes -- 4. A humanitarian disaster or invasion of Europe? 2015 migrant crisis in the British press / Zeynep Cihan Koca-Helvaci -- 5. Aspects of threat construction in the Polish anti-immigration discourse / Piotr Cap -- 6. Gender, metaphor and migration in media representations: Discursive manipulations of the Other / Liudmila Arcimaviciene -- 7. Practical reasoning and metaphor in TV discussions on immigration in Greece: Exchanges and changes / Eleni Butulussi -- 8. The Great Wall of Europe: Verbal and multimodal potrayals of Europe's migrant crisis in Serbian media discourse / Nadežda Silaški and Tatjana Đurović -- 9. Representations of the 2015/2016 'migrant crisis' on the online portals of Croatian and Serbian public broadcasters / Ljiljana Šarić and Tatjana R. Felberg -- 10. Representation of unaccompanied migrant children from Central America in the United States: Media vs. migrant perspectives / Theresa Catalano and Jessica Mitchell-McCollough -- 11. Displaced Ukrainians: Russo-Ukrainian discussions of victims from the conflict zone in Eastern Ukraine / Ludmilla A'Beckett -- 12. Preaching from a distant pulpit: The European migrant crisis seen through a New York Times editorial and reader comments / Michael S. Boyd -- 13. Discourses of immigration and integration in German newspaper comments / Janet M. Fuller -- 14. 'They have lived in our street for six years now and still don't speak a work [!] of English': Scenarios of alleged linguistic underperformance as part of anti-immigrant discourses / Andreas Musolff -- Notes on contributors -- Indexk

"Moving the museum : indigenous & Canadian Art at the AGO documents the reopening of the J.S. McLean Centre for Indigenous & Canadian Art with a renewed focus on the AGO's Indigenous art collection. The volume reflects the nation to nation treaty relationship that is the foundation of Canada, asking questions, discovering truths, and leading conversations that address the weight of history. Lavishly illustrated with more than 100 reproductions, Indigenous & Canadian Art at the AGO features the work of First Nations artists--including Carl Beam, Rebecca Belmore, and Kent Monkman--along with work by Inuit artists like Shuvinai Ashoona and Annie Pootoogook. Canadian artists include Lawren Harris, Kazuo Nakamura, Joyce Wieland, and many others. Drawing from stories about our origins and identities, the featured artists and essayists invite readers to engage with issues of land, water, transformation, and sovereignty and to contemplate the historic representation of Indigenous and Canadian art in museums. Contains a list of works at the back."--

"Members of Eli Baxter's generation are the last of the hunting and gathering societies living on Turtle Island. They are also among the last fluent speakers of the Anishinaabay language known as Anishinaabaymowin. Aki-wayn-zih is a story about the land and its spiritual relationship with the Anishinaabayg, from the beginning of their life on Miss-koh-tay-sih Minis (Turtle Island) to the present day. Baxter writes about Anishinaabay life before European contact, his childhood memories of trapping, hunting, and fishing with his family on traditional lands in Treaty 9 territory, and his personal experience surviving the residential school system. Examining how Anishinaabay Kih-kayn-daa-soh-win (knowledge) is an elemental concept embedded in the Anishinaabay language, Aki-wayn-zih explores history, science, math, education, philosophy, law, and spiritual teachings, outlining the cultural significance of language to Anishinaabay identity. Recounting traditional Ojibway legends in their original language, fables in which moral virtues double as survival techniques, and detailed guidelines for expertly trapping or ensnaring animals, Baxter reveals how the residential school system shaped him as an individual, transformed his family, and forever disrupted his reserve community and those like it. Through spiritual teachings, historical accounts, and autobiographical anecdotes, Aki-wayn-zih offers a new form of storytelling from the Anishinaabay point of view."--