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In the article, the EU and Russia relations are analyzed as paying specific attention to the conceptual and practical weight provided for the conjunction "and" when EU-Russia relations are interpreted and practically constructed in the West. The answer which is in common use -- these relations are intellectually based and practically shaped according the engagement doctrine -- is known well. However, the common answer does not eliminate the problem why the perspective of the practical application of engagement toward Russia is still under dispute in the West? The article proceeds to revealing the specifics of the Western attitudes in regard to engagement with Russia and their correlation with the cultural-political identities of engagement's participants. The conjunction "and" emphasizing the EU-Russia relations is interpreted in three ways: optimistically, equably and skeptically. The diversity of interpretations is stimulating by the nodus of factors (history, values and pragmatic interests) which is still affects the EU and Russia relations as well as different attitudes toward the perspectives of co-operation in the future. The very important source of the diversity is the difference in disparity of position regarding the geopolitical development of Eurasia. The article ends with the conclusion that the direction of the EU and Russia engagement will be strongly influenced by the reciprocal attempts to define their own cultural-political identities. Adapted from the source document.

The article analyses the aesthetic dimension of Chinese propaganda in Russia. The analysis seeks to identify the aesthetic component of Chinese propaganda in Russia as the fundamental, synthesising catalyst of Russian Sinophilia which unites several factors. The aesthetic aspect of Chinese propaganda in Russia is revealed through an analysis of official PRC websites in Russian, which clarifies a close connection between form and content in propaganda. The form quite often acquires a function which not only imparts the content, but also corrects it and uses it to manipulate and dominate. The analysis names as Russia's Achilles' heel its unbridled and unshakeable belief in its unique and inevitable Messianic mission in World History. This is its weak spot exploited by Chinese propaganda. The Russian reaction to Chinese propaganda is analysed, invoking the categories of both Sinophilia and Sinophobia. It is asserted that Chinese propaganda in Russia relies on the principles of involvement and participation, which are based on cultural exoticism and Confucian philosophy. To sum up, Chinese propaganda in Russia is identified as part of a plan/strategy for the establishment and maintenance of a grand, universal, practical, cosmopolitan Chinese philosophy or world order at the level of a global international system and world politics. Adapted from the source document.

Zsfassung in engl. Sprache

This article aims at discussing methods of analysis and understanding of the "imperial discourse" in modern investigations of Russian culture. Having introduced Michel Foucault's and Edward Said's basic concepts that have influenced postcolonial studies and researches of Russian culture, the author proceeds to the works of Ewa Thompson, Alexander Etkind, Susan Layton, Andrei Zorin, Richard Wortman and Harsha Ram. The concept of imperial discourse in their works describes the relationship between the culture and literary text to specific historical context defined as imperial. The relationship between the text and imperial context is ambiguous and is demonstrated on different levels. This relationship is revealed in investigations of the ceremonies of the Russian imperial court, literary representations, functioning of ideological symbols, as well as the genre poetics and the lyrical subject's specifics. General feature of these investigations of Russian culture and literature is that rather than analyzing repressive aspects of imperial discourse (except Ewa Thompson), the authors focus on its constructive aspects that reveal new meanings of text and specify formation of cultural identity of Russian writers. Adapted from the source document.