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This paper reflex on the development of the concept of an Archaeology with the City, expanding the concepts of Archaeology in the City, of the City and for the City. Such new concept was developed within the scope Urban archeology projects in the City of São Paulo, in dialaogue with proposals from Sociomuseology, since most researches aimed at musealization of Archeology. Despite archaeology with the city being born from encounters between Urban archaeology and Sociomuseology, this path also brought up closer dialogues with Public and Collaborative archaeology, safeguarding the specificities of considering the city an Archaeological Site, as usual among archaeologists working with urban contexts. Thus, new challenges are posed to the practice of Archaeology with the City.

Along with the technics that allows archaeology to adopt a precise knowledge about the composition of the materiality, also exists a critical thought that claims for take into account experience, perception and creativity. In the latter, we find Art-Archaeology approach. With this at background emerged the idea of the presence and the ontology of the 'dot' in archaeology, identified in the ongoing process of the attendance of a meeting at Kyoto, in the excavation of a simulated site, in the survey of an unidentified site and in a short research about Prehistoric tattoo. This idea, in its explicit simplicity, is part of a creative thought situated in the roots of the archaeological practice. In this paper I reflect about this through an artistic photo-essay that is at the same time an artistic and theoretical exercise, with the intention to identify the existence of the 'dot' in different dimensions of archaeology, and to make theory making art.