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The Psychology of the Artist
In: The journal of psychology: interdisciplinary and applied, Volume 19, Issue 2, p. 165-189
ISSN: 1940-1019
La place de l'Art et des artistes dans la Société
In: Bulletin de la Classe des Beaux-Arts, Volume 30, Issue 1, p. 119-128
Performers' union [American guild of variety artists] grows to maturity
In: American federationist: official monthly magazine of the American Federation of Labor and Congress of Industrial Organizations, p. 25 : il
ISSN: 0002-8428
Victor Gilsoul, artiste-peintre, né à Bruxelles le 9 octobre 1867 y décédé le 5 décembre 1939
In: Bulletin de la Classe des Beaux-Arts, Volume 27, Issue 1, p. 43-52
Édouard Huberti, artiste-peintre, né à Bruxelles le 6 janvier 1818, décédé à Schaerbeek le 12 janvier 1880
In: Bulletin de la Classe des Beaux-Arts, Volume 27, Issue 1, p. 33-40
Charles De Groux, artiste -peintre, né à Gomines (France) en 1825, décédé à Bruxelles le 30 mars 1870
In: Bulletin de la Classe des Beaux-Arts, Volume 27, Issue 1, p. 25-30
World Affairs Online
Gabriel Marcel et Karl Jaspers: Philosophie du mystere et philosophie du paradoxe
In: Artistes et ecrivains du temps present
World Affairs Online
Antoine-Joseph Wiertz, artiste-peintre, né à Dinant le 22 février 1806, décédé à Bruxelles le 17 juin 1865
In: Bulletin de la Classe des Beaux-Arts, Volume 27, Issue 1, p. 19-24
Louis Artan de Saint-Martin, artiste-peintre, né à La Haye le 21 avril 1837, décédé à Oostduinkerke le 23 mai 1890
In: Bulletin de la Classe des Beaux-Arts, Volume 27, Issue 1, p. 11-17
The Canadian Army 1939-45: An Official Historical Summary, by Colonel C. P. Stacey; illustrated with paintings by Canadian army war artists; maps drawn by C. C. J. Bond (Ottawa: King's Printer, 1948, pp. xx, 354, $2.50)
In: Canadian journal of economics and political science: the journal of the Canadian Political Science Association = Revue canadienne d'économique et de science politique, Volume 14, Issue 4, p. 547-548
World Affairs Online
Navajo Rug Description, 1947
CONTENT: The Harold F. Osborne Collection contains primarily AP news stories written at Gouldings Trading Post in Monument Valley, Arizona and nine photographs. The focus of these articles is on the Hosteen Cly Family and Harry Goulding Trading Post in Monument Valley. The documents discuss Navajo medicine, employment, crafts, language, and change and adaptability of the Navajo. BIOGRAPHICAL HISTORY: Harold F. Osborne was born in Omaha, Nebraska, and grew up in Denver, Colorado. He graduated from the University of Denver in 1934. and immediately began a career in journalism, working on newspapers in Denver, Estes Park, Colorado, Pueblo, Colorado, Salt Lake City, Utah, and Seattle, Washington. From 1939 to 1950 he worked for the Associated Press as an editor and correspondent in Salt Lake City and Boise, Idaho. During this time he frequently wrote feature articles about pioneer life and Native American Culture. He became especially interested in the Navajo people while in the Salt Lake City, and first learned of their destitute condition by talking with Utah business men who took food and clothing at Christmas to the Navajo in the Monument Valley. In 1947 Osborne made an extended visit to the Monument Valley, staying with trader Harry Goulding. On return he prepared a special series about the Navajo life that was distributed nationally by the Associate Press. The series was then donated to the Northern Arizona University. Beginning in 1959, Osborne worked in Washington, D.C., as editor, publisher and communications manager for scientific agencies of the Federal Government. He retired in 1978 and has lived in Kingston, Washington, since then, still writing and publishing about Western History. Harry Goulding Trading Post. The Harry Goulding Trading Post is located in the Monument Valley. Harry Goulding ran the trading post from 1920's to the 1960's.
BASE
Architecture and Western Civilization
In: The review of politics, Volume 8, Issue 2, p. 192-222
ISSN: 1748-6858
All aspects of the life of an age are interrelated, even when the interrelations express themselves in cross purposes and intellectual dissolution. Whether or not they embody forms and ideas worthy to be dignified by the name of architecture, the buildings of any period are an expression of it. They reflect, in varying degrees, its economic and social development, the enactments of its legislative bodies, the acts of its administrative officials, the decisions of its law courts, the character and course of its wars. They also express, again in varying degrees, its methods of education, its religious life, its natural science, its thought and its art. They are, to some extent, the expression of past traditions and works of the mind which have retained a hold on the life of the period or have been revived by its thinkers and artists, as classical antiquity has been revived again and again in Western European history since the eleventh century.