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In: International review of the aesthetics and sociology of music, Volume 25, Issue 1/2, p. 337
ISSN: 1848-6924
In: Communications: the European journal of communication research, Volume 15, Issue 1-2, p. 105-120
ISSN: 1613-4087
In: International review of the aesthetics and sociology of music, Volume 20, Issue 2, p. 183
ISSN: 1848-6924
In: International review of the aesthetics and sociology of music, Volume 20, Issue 2, p. 239
ISSN: 1848-6924
In: International review of the aesthetics and sociology of music, Volume 19, Issue 1, p. 131
ISSN: 1848-6924
In: Communications: the European journal of communication research, Volume 11, Issue 3, p. 37-50
ISSN: 1613-4087
In: Communications: the European journal of communication research, Volume 3, Issue 3, p. 315-335
ISSN: 1613-4087
Zusammenfassung
Welchen Beitrag zur kulturellen Entwicklung kann die Programmstrategie und das Programmschema des Hörfunks leisten? Diese Frage wird am Beispiel der sogenannten "Senderfärbung" behandelt. Unter "Senderfärbung" wird eine Programmstrategie verstanden, die einzelnen Kanälen bestimmte Programminhalte zuordnet (z. B. vorwiegend Unterhaltungsmusik oder "ernste" Musik). Aus vorliegenden empirischen Untersuchungen wird abgeleitet, daß die Senderfärbung der kulturellen Kohäsion und der kulturellen Entwicklung abträglich ist.
In: International review of the aesthetics and sociology of music, Volume 3, Issue 1, p. 35
ISSN: 1848-6924
In: Kölner Zeitschrift für Soziologie und Sozialpsychologie: KZfSS, Volume 21
ISSN: 0023-2653
In: Kölner Zeitschrift für Soziologie und Sozialpsychologie: KZfSS, Volume 21, Issue 3, p. 510-516
ISSN: 0023-2653
In: Musik und Gesellschaft 31
This anthology contains seven texts by Kurt Blaukopf (1914–1999) that exemplify the sociological and epistemological position of this pioneer of Austrian music sociology. Blaukopf's efforts were aimed at a comprehensive, interdisciplinary approach and analysis of music as a cultural phenomenon and as social practice. The primary aim of this anthology is to make Blaukopf's work better known in the English-speaking world. It offers the interested reader a fruitful analysis of the relation between music sociology and its sister disciplines, e.g. musicology, a solid analysis in terms of the philosophy of science on the possibilities and limits of music sociology, and a highly topical discussion about the significance of intrinsic artistic aspects in music sociology