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"Spanning six decades from the formation of the Save the Children Fund in 1919 to humanitarian interventions during the Vietnam War, The Humanitarians maps the national and international humanitarian efforts undertaken by Australians on behalf of child refugees. In this longitudinal study, Joy Damousi explores the shifting forms of humanitarian activity related to war refugee children over the twentieth century, from child sponsorship, the establishment of orphanages, fundraising, to aid and development schemes and campaigns for inter-country adoption. Framed by conceptualisations of the history of emotions, and the limits and possibilities afforded by empathy and compassion, she considers the vital role of women and includes studies of unknown but significant women humanitarian workers and their often-traumatic experience of international humanitarian work. Through an examination of the intersection between racial politics and war refugees, Damousi advances our understanding of humanitarianism over the twentieth century as a deeply racialised and multilayered practice"--

"In an engaging and original contribution to the field of memory studies, Joy Damousi considers the enduring impact of war on family memory in the Greek diaspora. Focusing on Australia's Greek immigrants in the aftermath of the Second World War and the Greek Civil War, the book explores the concept of remembrance within the larger context of migration to show how inter-generational experience of war and trauma transcend both place and nation. Drawing from the most recent research in memory, trauma and transnationalism, Memory and Migration in the Shadow of War deals with the continuities and discontinuities of war stories, assimilation in modern Australia, politics and activism, child migration and memories of mothers and children in war. Damousi sheds new lights on aspects of forgotten memory and silence within families and communities, and in particular the ways in which past experience of violence and tragedy is both negotiated and processed"--

'The most interesting experiment that has ever been made in a political democracy': conscription and the Great War / Robin Archer and Sean Scalmer -- 'A real heritage of the English people: British liberalism and 'continental despotism' / Douglas Newton -- Labour and liberty: the origins of the conscription referendum / Robin Archer -- Anti-conscription in Australia: individuals, organisations and arguments / Frank Bongiorno -- Universities and conscription: the 'yes' campaigns and the University of Melbourne / Joy Damousi -- The results of the 1916 and 1917 conscription referendums re-examined / Murray Goot -- Why was it easier to introduce and implement conscription in some English-speaking countries than others? / John Connor -- Conscription in the First World War: Britain and Australia / Ross McKibbin -- Legend and lamentation: remembering the anti-conscription struggle / Sean Scalmer.

This innovative book marks a new way of looking at convict women. It tells their stories in a powerful and evocative way, drawing out broader themes of gender and sexual disorder and race and class dynamics in a colonial context. It considers the convict past in light of contemporary concerns, looking at the cultural meanings of aspects of life in the colony: on ships, in the factories and in orphanages. Using startlingly original research, Joy Damousi considers such varied topics as headshaving as punishment in the prisons and the subversive nature of laughter and play, as well as analysing the language of pollution, purity and abandonment. She also dicusses the nature of sexual relationships, including evidence of lesbianism. The book shows how understanding about sexual and racial difference was crucial for both the maintenance and disturbance of colonial society, and became a focus for cultural anxiety

This innovative book marks a new way of looking at convict women, while drawing out broader themes of gender and sexual disorder and race and class dynamics. Damousi looks at the cultural meanings of aspects of life in the colony, and shows how sexual and racial diffrence became a focus for cultural anxiety in colonial society.

Cover -- Title -- Copyright -- Contents -- List of Figures -- Introduction: Leaning In -- 1 Sound Studies Today: Where Are We Going? -- PART I Sound and Voice -- 2 "The World Wanderings of a Voice": Exhibiting the Cylinder Phonograph in Australasia -- 3 "Are You Sitting Comfortably?": The Changing Position of Storytellers on Early Australian Radio -- 4 Lindbergh's Voice -- 5 Noisy Classrooms and the "Quiet Corner": The Modern School, Sound and the Senses -- PART II Sound and Violence -- 6 Throwing Down the Gauntlet: Voice, Power and Sexual Violence in Penal New South Wales -- 7 Startling Reports: Gunfire as Social Soundscape in Early Colonial Australia -- 8 Sounds and Silence of War: Dresden and Paris during World War II -- 9 Hearing the 1965-66 Indonesian Anti-Communist Repression: Sensory History and Its Possibilities -- 10 "For a Few Seconds, Imagine": An Aural Experience of Six Days of Terror at the Stadium of Chile, 12-17 September 1973 -- PART III Sensory Memories -- 11 "Big Smoke Stacks": Competing Memories of the Sounds and Smells of Industrial Heritage -- 12 Intimate Strangers: Multisensorial Memories of Working in the Home -- 13 Botanical Memory: Materiality, Affect and Western Australian Plant Life -- 14 "If I Ever Hear It, It Takes Me Straight Back There": Music, Autobiographical Memory, Space and Place -- 15 Seeing in Black and White: Visualizing "Shadow Sisters" among Metaphors of Light and Dark -- Contributors -- Index.

The Cold War was a turbulent time to grow up in: family ties were tested, friendships were torn apart, and new beliefs forged out of the ruins of old loyalties. In this book, through 12 evocative stories of childhood and early adulthood in Australia during the Cold War years, writers from vastly different backgrounds explore how global political events affected the intimate space of home, family life, and friendships. Some writers were barely in their teens when they felt the first touches of their parents' political lives, both on the Left and the Right. Others grew up in households well attu

A 'roaring decade': listening to the Australian gold-fields /Diane Collins --A complex kind of training: cities, technologies and sound in jazz-age Europe /James Donald --Speech, children and the federation movement /Alan Atkinson --Sounds of history: oratory and the fantasy of male power /Marilyn Lake --Hunting the wild reciter: elocution and the art of recitation /Peter Kirkpatrick --World English? how an australian invented 'good American speech' /Desley Deacon --'The Australian has a lazy way of talking': Australian character and accent, 1920s-1940s /Joy Damousi --Towards a history of the Australian accent /Bruce Moore --Voice, power and modernity /Bruce Johnson --Modernity, intimacy and early Australian commercial radio /Bridget Griffen-Foley --Talking salvation for the silent majority: projecting new possibilities of modernity in the Australian cinema, 1929-1933 /Brian Yecies.

Historians have, until recently, been silent about sound. This collection of essays on talking and listening in the age of modernity brings together major Australian scholars who have followed Alain Corbin's injunction that historians 'can no longer afford to neglect materials pertaining to auditory perception'. Ranging from the sound of gunfire on the Australian gold-fields to Alfred Deakin's virile oratory, these essays argue for the influence of the auditory in forming individual and collective subjectivities; the place of speech in understanding individual and collective endeavours; the centrality of speech in marking and negating difference and in struggles for power; and the significance of the technologies of radio and film in forming modern cultural identities.