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Abstract This article covers a wide range of projects from the earliest epistemological challenges posed by video experiments in remote Central Australia in the 1980s to the emergence of indigenous filmmaking as an intervention into both the Australian national imaginary and the idea of world cinema. It also addresses the political activism that led to the creation of four national indigenous television stations in the early 21st century: Aboriginal People's Television Network in Canada; National Indigenous Television in Australia; Maori TV in New Zealand; and Taiwan Indigenous Television in Taiwan); and considers what the digital age might mean for indigenous people worldwide employing great technological as well as political creativity.

This issue's Visual Anthropology Section is a tribute to anthropologist and ethnographic filmmaker Jean Rouch (1917–2004). In nine brief articles, authors discuss the impact of Rouch's pathbreaking career on ethnographic and documentary filmmaking and his contributions to our knowledge of postcolonial Africa. The authors demonstrate the significance of his work for the larger discipline of anthropology, and commemorate Rouch with personal reflections of their time working with and learning from him.

Book reviewed in this article:The Jews of Djerba.Pilgrimage to Ghriba.About the Jews of India: Cochin.About the Jews of India: Shanwar Telis or Bene Israel.Sosua.Religion in Suburbia.Brighton Beach.

In Disability Worlds, Faye Ginsburg and Rayna Rapp chronicle and theorize two decades of immersion in New York City's wide-ranging disability worlds as parents, activists, anthropologists, and disability studies scholars. They situate their disabled children's lives among the experiences of advocates, families, experts, activists, and artists in larger struggles for recognition and rights. Disability consciousness, they show, emerges in everyday politics, practices, and frictions. Chapters consider dilemmas of genetic testing and neuroscientific research, reimagining kinship and community, the challenges of "special education," and the perils of transitioning from high school. They also highlight the vitality of neurodiversity activism, disability arts, politics, and public culture. Disability Worlds reflects the authors' anthropological commitments to recognizing the significance of this fundamental form of human difference. Ginsburg and Rapp's conversations with diverse New Yorkers reveal the bureaucratic constraints and paradoxes established in response to the disability rights movement, as well as the remarkable creativity of disabled people and their allies who are opening pathways into both disability justice and disability futures

Disability is a profoundly relational category, shaped by social conditions that exclude full participation in society. What counts as an impairment in different sociocultural settings is highly variable. Recently, new approaches by disability scholars and activists show that disability is not simply lodged in the body, but created by the social and material conditions that "dis-able" the full participation of those considered atypical. Historically, anthropological studies of disability were often intellectually segregated, considered the province of those in medical and applied anthropology. We show the growing incorporation of disability in the discipline on its own terms by bringing in the social, activist, reflexive, experiential, narrative, and phenomenological dimensions of living with particular impairments. We imagine a broad future for critical anthropological studies of disability and argue that as a universal aspect of human life this topic should be foundational to the field.