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In the field of the researches concerning the characterization, conservation and restoration of cultural heritage, as well as the objects manufacturing techniques, it is essential to use diagnostic methods that are referred to as archaeometric techniques. Archaeometry (which measures what is ancient) deals with the scientific study, carried out by laboratory analyses, of ancient materials and objects with the aim to deep the knowledge of historical, archaeological, artistic and technological aspects. In the field of the study of ceramic artefacts, the case of Italian Renaissance ceramics decorated with the luster technique is particularly interesting; luster is an iridescent metallic film of gold or ruby red color obtained from silver and copper in the form nanoparticles using a very sophisticated technique that testifies to the extremely advanced knowledge possessed by the ancient potters.

AbstractBlack crusts (BCs) are one of the most critical alteration forms found on stones belonging to architectural heritage. Since they could be considered as passive samplers of atmospheric pollution, it would be plausible to establish relations between the air contamination and the BCs. With this aim, we have characterized BCs collected on historic buildings from two Spanish cities (Granada and Vigo) with different polluted atmospheres, as well as formed on stone substrates of varied mineralogy and texture. Likewise, in order to assess the impact of the atmospheric pollutants on the growth of BCs, quartz fiber filters were used as surrogate substrates and placed nearby the studied buildings to collect and analyze the aerosol particulate matter (PM). To this end, an array of complementary analytical techniques was used to evaluate the mineralogy, chemical composition, and texture of the BCs and to establish the correlation with the ions, OC (organic carbon), and EC (elemental carbon) detected in the PM on the quartz fiber filters. As result, BCs developed on carbonate substrates from Granada show more complex structure than those from Vigo, which are thinner because of frequent rain episodes. In both cities, NaCl, Pb-Cl, and Ca-Cl-rich particles, Ca-phosphate particles and clusters of Ba-sulfate-rich particles were detected. However, metal-rich rounded particles were more abundant in Granada's BCs, including soot particles. BCs from Granada were richer in carbonaceous components (OC and EC) than the Vigo's BCs. Although in the filters PM did not show EC—mainly due to traffic—, in the BCs from both locations OC and EC were detected. Therefore, this different composition was related to the mineralogy of the stones and the higher pollution of Granada in contrast to the industrial and sea-exposed city of Vigo.

AbstractThe aim of this work has been the identification of the painter's materials employed in the wall decoration of some destroyed buildings dating approximately between the first century B.C. and the first century A.D. This research originates from a previously started joined archaeological and analytical investigation concerning a varied group of findings that resulted from a rescue excavation performed by Soprintendenza Archeologica in the area of Monte d'Oro in Rome. The focus of this study progression has been directed to a numerous selection of monochrome red, pink and yellow-pigmented fragments. The analyses were performed by means of scanning electron microscopy energy dispersive X-ray spectroscopy (SEM-EDX) combined with Raman and Fourier transform infrared (FTIR) spectroscopies; visible reflectance measurements have also been carried out and the relevance of this technique in such a kind of archaeological studies has been highlighted. Most attention has been given to the assessment of the performances of non-destructive techniques achieved by portable Raman, and visible reflectance instrumentation to test their diagnostic capabilities. In addition to the expected and well-known pigments such as cinnabar, red ochre, hematite for the reds and yellow ochre for the yellows, the study highlighted a diffuse use of mixed colours and in some cases the possible presence of overlapped painted layers and confirmed the presence of gildings. Among the mixtures of pigments, the most singular outcome concerns the pink fragments revealing the possible application of bone white, which seems to be rather uncommon as a pigment in Roman wall decorations.

AbstractVolatile organic compounds (VOCs) are a class of ubiquitous substances that are present in outdoor and indoor air. They are emitted by a wide range of sources and can penetrate and accumulate specifically in indoor environments. Concern is growing among the scientific community regarding the potential health impacts of exposure to a high concentration of VOCs in indoor spaces. Due to their still-developing respiratory and immune systems, children may be the most fragile subjects in this regard, and therefore, the study of indoor air quality in schools is of the utmost importance. In this work, the concentrations of total volatile organic compounds (TVOCs) and of 20 specific compounds belonging to this class were determined in a school in Squinzano, a town in the province of Lecce (Apulia region, southern Italy). Sampling was carried out in indoor (classrooms and bathrooms) and outdoor (terrace) areas using passive diffusive samplers for VOCs and photoionization detectors for TVOCs. Average concentrations of both TVOC (303 ± 47 µg m−3) and individual VOCs (< 0.5 µg m−3) were below levels of concern; however, specific indoor sources such as cleaning activities and student occupancy were responsible for peaks in TVOC concentrations above harmless levels for children and school staff. The data were then compared to the ones obtained in a similar study conducted in a school in Galatina, another town of the Apulia region, highlighting the impact of the surrounding outdoor environment on the indoor profile of VOCs.

AbstractThe surface coating present on a marble Piety dating to the Renaissance period and stored at the Castello Sforzesco-Museum of Ancient Art (Milan, Italy) was studied and chemically characterised. For this purpose, both portable non-invasive (XRF and colorimetric measurements) and micro-invasive techniques (FTIR-ATR and SEM-EDS), have been applied. The statue has been recently submitted to a restoration, since its surface appeared dark and yellowed, before an exhibition at the Louvre Museum and the original appearance of the marble surface recovered thanks to the surface coating removal. Through the analytical characterisation carried out before and after the marble cleaning, the presence of a degradation layer composed by gypsum was evidenced on the stone. The origin of this layer is ascribable to the exposure of the statue to outdoor environment and interaction with atmospheric pollution. The chemical nature of the coating applied at the end of nineteenth century also responsible for the surface alteration was hypothesized.

AbstractAtmospheric pollutants, such as NOx, SO2, and particulate matter, together with water percolation inside the stone pores, represent the main causes of cultural heritage decay. In order to avoid these undesired phenomena, the application of protective coatings represents a reliable solution. In this context, the present study focused on the synthesis of low-fluorine content methacrylic-based (MMA) polymeric resins characterized by seven F atoms (namely F7 monomer) in the lateral chains. Four different percentages (1.0, 2.5, 5.0, and 10.0%) of the present monomer were adopted to obtain a final polymeric structure showing the desired hydrophobicity, processability, and structural and thermal stability (even after accelerated UV aging tests). MMA_F7(1.0) seemed to be the optimal one; therefore, it was further applied onto Candoglia marble. Specifically, the treated substrates showed good surface hydrophobicity, water repellency, and water vapor transpirability. No color variation was observed even after a 1.5-year exposure in a real polluted environment (Monza Cathedral). Interestingly, the application of this coating hindered the atmospheric nitrates penetration inside the stones and, at the same time, it limited the sulfates (gypsum) formation, thus revealing a very promising marbles protection resin.