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The study of the Chinese Internet plays a fundamental part in an on-going global discussion on the role of the new media as tools of political change. It is undeniable that the development of the Internet in China is terrific both in terms of infrastructure investment and citizen involvement. Yet, even though this process has already been studied extensively and with varying perspective, several issues regarding its impact on Chinese society remain open. This paper will specifically delve into the conflicting nature of the Internet in China's political context. It will argue that in China, the Internet can favour political change as much as it can assist the authorities in their struggle to maintain the status quo. The argument will be structured in two parts: first, we will outline the "cyber-utopian" discourse in the Chinese context, underlining how the Internet has been perceived as a powerful instrument for political change since the Nineties; second, we will describe the various strategies employed by the Chinese authorities in order to control the Internet, specifically through modes of censorship, manipulation of information and judicial intimidation.

Since their appearance in the mid-1990s, Chinese labour NGOs have mostly focused on disseminating labour law and guiding labour disputes through official channels. In so doing, they have assisted the Chinese Communist Party in achieving its paramount goal of maintaining social stability. In line with this approach, activists in these organizations have traditionally framed their work in terms of "public interest" or "legality," both of which resonate with the hegemonic discourses of the Party-state. However, earlier this decade a minority of Chinese labour activists began to employ some new counterhegemonic narratives centred on the experience of the labour movement and the practice of collective bargaining that attempted to recode the proletarian experience outside of its official representation. In this paper we analyze this discursive shift through the voices of the activists involved, and argue that the rise of these new counterhegemonic voices was one of the reasons that led to the Party-state cracking down on labour NGOs. (Pac Aff/GIGA)

Intro -- Introduction -- 1. Aesthetics -- 2. Blood Lineage -- 3. Class Feeling -- 4. Class Struggle -- 5. Collectivism -- 6. Contradiction -- 7. Culture -- 8. Cultural Revolution -- 9. Datong and Xiaokang -- 10. Dialectical Materialism -- 11. Dignity of Labour -- 12. Formalism -- 13. Friend and Enemy -- 14. Global Maoism -- 15. Immortality -- 16. Justice -- 17. Labour -- 18. Large and Communitarian -- 19. Line Struggle -- 20. Mass Line -- 21. Mass Supervision -- 22. Mobilisation -- 23. Museum -- 24. Nationality -- 25. New Democracy -- 26. Paper Tiger -- 27. Peasant -- 28. People's War -- 29. Permanent Revolution -- 30. Poetry -- 31. Practice -- 32. Primitive Accumulation -- 33. Rectification -- 34. Red and Expert -- 35. Removing Mountains and Draining Seas -- 36. Revolution -- 37. Self-reliance -- 38. Semifeudalism, Semicolonialism -- 39. Sending Films to the Countryside -- 40. Serve the People -- 41. Socialist Law -- 42. Speaking Bitterness -- 43. Sugarcoated Bullets -- 44. Superstition -- 45. Surpass -- 46. Third World -- 47. Thought Reform -- 48. Trade Union -- 49. United Front -- 50. Utopia -- 51. Women's Liberation -- 52. Work Team -- 53. Work Unit -- Afterword -- Acknowledgements -- Contributors -- References.

Afterlives of Chinese Communism comprises essays from over fifty world- renowned scholars in the China field, from various disciplines and continents. It provides an indispensable guide for understanding how the Mao era continues to shape Chinese politics today. Each chapter discusses a concept or practice from the Mao period, what it attempted to do, and what has become of it since. The authors respond to the legacy of Maoism from numerous perspectives to consider what lessons Chinese communism can offer today, and whether there is a future for the egalitarian politics that it once promised.

Labour and civil society are two fundamental components of international discussions concerning China today. Whether it is the arrest of labour activists or rights lawyers, the adoption of new industrial policies, or the passing of draconian rules on non-governmental organisations, the events occurring in these areas in China often make global headlines. At the same time, in spite of the grave challenges for workers and activists, the Chinese labour movement is witnessing significant developments, with the occurrence of some of the largest strikes in decades. All of this calls for more serious analysis from both scholars and practitioners, as well for critical engagement with a broader global audience interested in forging international solidarity. It is with these aims in mind that we have compiled this Made in China Yearbook 2016: Disturbances in Heaven, a collection of original articles by both scholars and activists, analysing the most important trends in Chinese labour and civil society over the past year. With its unique blend of in-depth scholarly work written in a direct, accessible style, this volume will allow readers to situate events and policies related to Chinese labour and civil society in a wider context, and serve as an indispensable reference book for international activists, practitioners, and policy-makers.

Afterlives of Chinese Communism comprises essays from over fifty world- renowned scholars in the China field, from various disciplines and continents. It provides an indispensable guide for understanding how the Mao era continues to shape Chinese politics today. Each chapter discusses a concept or practice from the Mao period, what it attempted to do, and what has become of it since. The authors respond to the legacy of Maoism from numerous perspectives to consider what lessons Chinese communism can offer today, and whether there is a future for the egalitarian politics that it once promised.

This is an edited and updated transcript of a November 2016 interview that was part of the Tianxia Podcast Series (http://www.chinoiresie.info/tessa-morris-suzuki-podcast-diamondmountains/). The conversation transcribed here focuses on a discussion of Tessa MorrisSuzuki's To the Diamond Mountains: A Hundred-Year Journey through China and Korea ( 2010), a travelogue based on a trip she took in 2009 to Northeast China, North Korea, and South Korea with the purpose of retracing the 1910 journey of the English adventurer and artist Emily Georgiana Kemp. We discuss the book in relation to the momentous transformations that have occurred over the long twentieth century in the areas visited by Kemp, and to the ways in which grassroots movements and new forms of survival politics are remaking Northeast Asia today.

According to the Chinese zodiac, 2017 was the year of the 'fire rooster', an animal often associated with the mythical fenghuang, a magnificently beautiful bird whose appearance is believed to mark the beginning of a new era of peaceful flourishing. Considering the auspicious symbolism surrounding the fenghuang, it is fitting that on 18 October 2017, President Xi Jinping took to the stage of the Nineteenth Party Congress to proclaim the beginning of a 'new era' for Chinese socialism. However, in spite of such ecumenical proclamations, it became immediately evident that not all in China would be welcome to reap the rewards promised by the authorities. Migrant workers, for one, remain disposable. Lawyers, activists, and even ordinary citizens who dare to express critical views also hardly find a place in Xi's brave new world. This Yearbook traces the stark new 'gilded age' inaugurated by the Chinese Communist Party. It does so through a collection of more than forty original essays on labour, civil society, and human rights in China and beyond penned by leading scholars and practitioners from around the world. ; The Australian Centre on China in the World is a publicly funded research centre. ; This project has been produced with the financial assistance of the Australian Centre on China in the World (CIW), Australian National University, and the European Union Horizon 2020 research and innovation programme under the Marie Sk?odowska-Curie grant agreement No 654852.

According to the Chinese zodiac, 2016 was the year of the fire monkey. What better character than Sun Wukong to inspire this inaugural volume of the Made in China Yearbook? In this past year, Chinese workers and activists from all walks of life have struggled under heightened repression by the Chinese party-state, showing remarkable endurance even under these dire circumstances. Through their battles, however small or short-lived, they repeatedly challenged the message of 'harmony' put forward by the Chinese authorities, creating 'disturbances' in the imaginary heaven engineered by the party-state. All of this is nothing other than proof of the survival of the monkey spirit in Chinese society. Even when trapped under a mountain of repression, or in terrible pain due to the curse of the magic headband of state control, the monkey still manages to briefly wriggle free, reminding us that not all is well, that not everything is predictable. ; The Australian Centre on China in the World is a publicly funded research centre. ; This project has been produced with the financial assistance of the Australian Centre on China in the World (CIW), Australian National University, and the European Union Horizon 2020 research and innovation programme under the Marie Sk?odowska-Curie grant agreement No 654852.