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The volume aims to fit into the existing studies in Italy and Portugal on the Portuguese 18th century, however describing the 18th century from a new, inclusive (and no more separatist), point of view between Portugal, Macao (in the south of China) and Brazil. The related insight does not have the claim to completeness, but offers an overview, allowing the lector to range over three Lusitanian territories. According to this principle of completeness, the volume is divided in three chapters within which historical, iconographical and literary themes of the 18th century are illustrated. The volume higlights historical facts, literary works, also through an European view of the same period, that have marked the Portuguese, Asian and Brazilian 18th century.

The third and last section of the volume aims to represent the Brazilian colony in the 18th century through an historical, iconographical and literary point of view, and analyzing three very important Brazilian volumes of the same period.

The volume, created by the collaboration between the University of Florence and the University of Lisbon, aims to celebrate the President of the European Parliament, David Sassoli, a year after his death in january 2022. The miscellaneous volume, entirely written in Portuguese language, includes 36 works among essays, poems, novels, drawings, paintings starting with the figure and the European values that have so strongly been defended by David Sassoli, to reflect on the future of Europe and new geopolitical scenarios that Europe is going through, after the death of the President of the European Parliament.

The following work aims to study two Lusitanian cultures of dissent: the Brazilian concrete poetry of Haroldo de Campos (focusing on his trans-creations of some Russian poets) and the Portuguese Experimental poetry of Ana Hatherly (through a selection of her visual poetries). So, the culture of dissent will specifically concern the style used by the two poetic groups. This style represented a real innovation in the Portuguese and Brazilian cultures in the second half of the XXth century, marked by hard political contexts. Furthermore, the dissent will be visible in some typical poetries and in some Russian poets analysed by the Brazilian concrete poets. ; ITAIl presente lavoro intende occuparsi in modo congiunto di due culture lusofone del dissenso: la poesia concreta brasiliana (volgendo l'attenzione alle trans-creazioni haroldiane di alcuni poeti russi) e la poesia portoghese sperimentale di Ana Hatherly (attraverso una selezione accurata di sue poesie visive). La cultura del dissenso, dunque, riguarderà soprattutto lo stile adoperato da entrambi i gruppi poetici che ha segnato una vera e propria innovazione nel tessuto culturale brasiliano e portoghese del secondo Novecento, all'interno dei rispettivi contesti politici alquanto agitati. In altri casi, è possibile cogliere tale dissenso nei contenuti di alcune poesie, così come nella scelta delle poesie e dei poeti russi da parte dei concretisti brasiliani.ENGThe following work aims to study two Lusitanian cultures of dissent: the Brazilian concrete poetry of Haroldo de Campos (focusing on his trans-creations of some Russian poets) and the Portuguese Experimental poetry of Ana Hatherly (through a selection of her visual poetries). So, the culture of dissent will specifically concern the style used by the two poetic groups. This style represented a real innovation in the Portuguese and Brazilian cultures in the second half of the XXth century, marked by hard political contexts. Furthermore, the dissent will be visible in some typical poetries and in some Russian poets analysed by the Brazilian concrete poets.

Dell'idea and Macao amore mio are the Italian translations of the two Portuguese colletions of sonnets of António Correia: Deideia and Amagao meu amor. These literary works have been translated for the first time in Italian language by Michela Graziani in this volume. The Italian translation provides the Italian reader to appreciate the poetry style of António Correia and to approach this fascinating Portuguese author of our contemporary age.

Macao amore mio and Dell'idea are the Italian translations of the two Portuguese colletions of sonnets of António Correia: Deideia and Amagao meu amor. These literary works have been translated for the first time in Italian language by Michela Graziani in this volume. The Italian translation provides the Italian reader to appreciate the poetry style of António Correia and to approach this fascinating Portuguese author of our contemporary age.

The volume, created by the collaboration between the University of Florence and the University of Lisbon, aims to celebrate the President of the European Parliament, David Sassoli, a year after his death in january 2022. The miscellaneous volume, entirely written in Portuguese language, includes 36 works among essays, poems, novels, drawings, paintings starting with the figure and the European values that have so strongly been defended by David Sassoli, to reflect on the future of Europe and new geopolitical scenarios that Europe is going through, after the death of the President of the European Parliament.