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Gramofon. Film. Typewriter
Obálka -- Obsah -- Předmluva -- Úvod -- Gramofon -- Jean Marie Guyau: Paměť a fonograf -- Rainer Maria Rilke: Prazvuk -- Maurice Renard: Smrt a mušle -- Salomo Friedlaender: Goethe mluví do fonografu -- Film -- Salomo Friedlaender: Stroj na fatu morgánu -- Richard A. Bermann: Lyra a psací stroj -- Typewriter -- Martin Heidegger: O ruce a psacím stroji -- Carl Schmitt, Buribunkové: Dějinně-filosofický esej -- Doslov k českému vydání: Všechny přístroje zapnout -- Bibliografie -- Podrobný obsah -- Obrazová příloha.
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Book(electronic)#42013
Literature, Media, Information Systems$cintroduced by Johnston
John Johnston's background combines expertise in modern literature, poststructuralist philosophy, and high technology's production. Like Kittler, he draws on historic fact, anecdote, and literature. From this vantage point he explicates the theoretical and practical consequences of Friedrich Kittler's insights into the social and psychological effects of the processes by which metaphor in one medium is made real by another
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Optische Medien: Berliner Vorlesung 1999
In: [Internationaler Merve-Diskurs] 250
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Arsenale der Seele: Literatur- und Medienanalyse seit 1870
In: Literatur- und Medienanalysen 1
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Draculas Vermächtnis: technische Schriften
In: Reclam-Bibliothek 1476
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Book(print)#111986
Grammophon, Film, Typewriter
Friedrich Kittler: "Grammophon, Film, Typewriter". Verlag Brinkmann & Böse, Berlin 1986. 430 S., kt., 48,- DM
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Article(electronic)#13March 9, 2015
Authorship and Love
In: Theory, culture & society: explorations in critical social science, Volume 32, Issue 3, p. 15-47
ISSN: 1460-3616
This early essay from German media theorist Friedrich Kittler examines a number of epistemic shifts occurring in late 18th-century Germany, anticipating in both methodology and content his groundbreaking 1985 work Aufschreibesysteme [ Discourse Networks]. Of primary concern to Kittler here is the invention of what he calls (drawing upon Foucault) the 'authorship-function', product of a new constellation of medial, pedagogical and juridical forces. Alongside broader societal transformations (the transition from societies of the law to societies of the norm, the appearance of new sexualities), Kittler documents the emergence of the author in the late 18th century through analyses of new pedagogical practices (including the invention of hermeneutics), changes in childhood alphabetization, and new erotic relationships between authors and their readers.
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Article(print)#142013
Vorlesung: Radio, 1985, Typoscript mit Korrekturen: Auszüge im Faksimile
In: Ästhetik & Kommunikation, Volume 43, Issue 158-159, p. 143-180
ISSN: 0341-7212
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Article(electronic)#15November 1, 2012
In the Wake of the Odyssey
In: Cultural politics: an international journal ; exploring cultural and political power across the globe, Volume 8, Issue 3, p. 413-427
ISSN: 1751-7435
Friedrich Kittler's lecture, given in 2007 as part of the series of Mosse-Lectures, follows the recursions of Homer's Odyssey from its original transcription, coinciding with the invention of the Greek alphabet, through history. The stages of this include Virgil's Aeneid, Dante Alighieri's Divine Comedy, Jean-Luc Godard's Le mèpris, and Stanley Kubrick's 2001: A Space Odyssey. Kittler is concerned with the linkage of poetry, music, and sex from the Greeks to media- and computer-driven modernity.
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