Deleuze, les mouvements aberrants
In: Paradoxe
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In: Paradoxe
In: Univocal
"On the complex aesthetics and ontology at work in Étienne Souriau's unique oeuvre"--
In: Thought in the act
In: A Univocal book
In: Semiotext(e) foreign agents series
In: Esprit: revue internationale, Volume 480, Issue 12, p. 59-70
La science-fiction de Philip K. Dick se caractérise par la création (et la destruction) de mondes en conflit. Elle s'inscrit donc dans la culture des années 1960, marquée par le contrôle social et l'emprise des nouvelles technologies. Mais elle lui oppose la figure du bricoleur qui recompose un monde. Entre consumérisme capitaliste et surveillance généralisée, Minority Report anticipe une société obnubilée par la prévention des risques au détriment du libre arbitre.
In: Double agents series
Desert islands -- Jean Hyppolite's logic and existence -- Instincts and institutions -- Bergson, 1859-1941 -- Bergson's conception of difference -- Jean-Jacques Rousseau : precursor of Kafka, Céline, and Ponge -- The idea of genesis in Kant's esthetics -- Raymond Roussel, or the abhorrent vacuum -- How Jarry's pataphysics opened the way for phenomenology -- "He was my teacher" -- The philosophy of crime novels -- On Gilbert Simondon -- Humans : a dubious existence -- The method of dramatization -- Conclusions on the will to power and the eternal return -- Nietzsche's burst of laughter -- Mysticism and masochism -- On Nietzsche and the image of thought -- Gilles Deleuze talks philosophy -- Gueroult's general method for Spinoza -- The fissure of Anaxagoras and the local fires of Heraclitus -- Hume -- How do we recognize structuralism? -- Three group-related problems -- "What our prisoners want from us ..." -- Intellecutals and power -- Remarks (on Jean-François Lyotard) -- Deleuze and Guattari fight back-- -- Hélène Cixous, or writing in strobe -- Capitalism and schizophrenia -- Your special "desiring-machines" : what are they? -- H.M.'s letters -- Hot and cool -- Nomadic thought -- On capitalism and desire -- Five propositions on psychoanalysis -- Faces and surfaces -- Preface to Hocquenghem's L'Après-Mai des faunes -- A planter's art
In: Semiotext(e) foreign agents series