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Cover -- Endorsements -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Foreword -- List of figures -- 1 This Can't Be Good, Or How I Learned to Stop Worrying and Love Satire -- 2 Trump Was a Joke, But It Wasn't Funny -- 3 It's Hard to Make a Joke Out of a Joke -- 4 The First Media-Created President -- 5 "Let's Make Donald Drumpf Again" -- 6 The Joke's on You: The Power of Satire -- 7 The Last Laugh: Satire's Secret Weapon -- Works Cited -- Index.

"Written in the context of critical dialogues about the war on terror and the global crisis in human rights violations, authors of the collected volume Representing Humanity in an Age of Terror, edited by Sophia A. McClennen and Henry James Morello, ask a series of questions: What definitions of humanity account for the persistence of human rights violations? How do we define terror and how do we understand the ways that terror affects the representation of those that both suffer and profit from it? Why is it that the representation of terror often depends on a distorted (for example, racist, fascist, xenophobic, essentialist, eliminationist) representation of human beings? And, most importantly, can representation, especially forms of art, rescue humanity from the forces of terror or does it run the risk of making it possible? The authors of the volume's articles discuss aspects of terror with regard to human rights events across the globe, but especially in the United States, Latin America, and Europe. Their discussion and reflection demonstrate that the need to question continuously and to engage in permanent critique does not contradict the need to seek answers, to advocate social change, and to intervene critically. With contributions by scholars, activists, and artists, the articles collected here offer strategies for intervening critically in debates about the connections between terror and human rights as they are taking place across contemporary society. The work presented in the volume is intended for scholars, as well as undergraduate and graduate students, in fields of the humanities and social sciences including political science, sociology, history, literary study, cultural studies, and cultural anthropology." "The articles move deftly between high theory and practical politics, guiding the reader through an impressive range of material (poetry, prose, music, film, and photography) with broad historical scope (the French Revolution, post-World-War II decolonization, the "Global War on Terror")---all the while retaining a strong sense of cohesion and unity of purpose. This is a spirited collection, simultaneously provocative and rigorous. It is not only an urgent appeal for engaged public scholarship, but also a first-rate example of it---James Dawes, Macalester College" "Some suggest that comparative literature is a dead discipline. This book proves them wrong by showing the engaged responsiveness of post-contemporary comparativism to current ...

Written by a scholar of satire and politics, Trump Was a Joke explains why satire is an exceptional foil for absurd political times and why it did a particularly good job of making sense of Trump. Covering a range of comedic interventions, Trump Was a Joke analyzes why political satire is surprisingly effective at keeping us sane when politics is making us crazy. Its goal is to highlight the unique power of political satire to encourage critical thinking, foster civic action, and further rational debate in moments of political hubris and hysteria. The book has been endorsed by Bassem Youssef, who has been referred to as the Jon Stewart of Egypt, and Srdja Popovic, author of Blueprint for Revolution, who used satirical activism to bring down Serbian dictator Slobodan Milosevic. With a foreword by award-winning filmmaker, satirist, and activist Michael Moore, this study will be of interest to readers who follow politics and enjoy political comedy and will appeal to the communications, comedy studies, media studies, political science, rhetoric, cultural studies, and American studies markets.

The Lawrence and Lynne Brown Democracy Medal, presented by the McCourtney Institute for Democracy at Penn State, recognizes outstanding individuals, groups, and organizations that produce innovations to further democracy in the United States or around the world. The 2020 Brown Democracy Medal winner, Srdja Popovic, was a leader in the revolution that brought down the Milošević regime in Serbia and he continues to help protestors around the world learn effective, sometimes humorous, nonviolent tactics. In 2020, he teamed up with Sophia A. McClennen to study the concept of "dilemma actions," which offers a structured, strategic approach to fighting back against authoritarianism, as well as for defending democracy.

The Lawrence and Lynne Brown Democracy Medal, presented by the McCourtney Institute for Democracy at Penn State, recognizes outstanding individuals, groups, and organizations that produce innovations to further democracy in the United States or around the world. The 2020 Brown Democracy Medal winner, Srdja Popovic, was a leader in the revolution that brought down the Milošević regime in Serbia and he contin-ues to help protestors around the world learn effective, sometimes humorous, nonviolent tactics. In 2020, he teamed up with Sophia A. McClennen to study the concept of "dilemma actions," which offers a structured, strategic approach to fighting back against authoritarianism, as well as for defending democracy.

The Lawrence and Lynne Brown Democracy Medal, presented by the McCourtney Institute for Democracy at Penn State, recognizes outstanding individuals, groups, and organizations that produce innovations to further democracy in the United States or around the world. The 2020 Brown Democracy Medal winner, Srdja Popovic, was a leader in the revolution that brought down the Milošević regime in Serbia and he contin-ues to help protestors around the world learn effective, sometimes humorous, nonviolent tactics. In 2020, he teamed up with Sophia A. McClennen to study the concept of "dilemma actions," which offers a structured, strategic approach to fighting back against authoritarianism, as well as for defending democracy.

"The Routledge Companion to Literature and Human Rights provides a comprehensive, transnational, and interdisciplinary map to this emerging field, offering a broad overview of human rights and literature while providing innovative readings on key topics. The first of its kind, this volume covers essential issues and themes, necessarily crossing disciplines between the social sciences and humanities. Sections cover: - subjects, with pieces on subjectivity, humanity, identity, gender, universality, the particular, the body; - forms, visiting the different ways human rights stories are crafted and formed via the literary, the visual, the performative, and the oral; - contexts, tracing the development of the literature over time and in relation to specific regions and historical events; - impacts, considering the power and limits of human rights literature, rhetoric, and visual culture. Drawn from many different global contexts, the essays offer an ideal introduction for those approaching the study of literature and human rights for the first time, looking for new insights and interdisciplinary perspectives, or interested in new directions for future scholarship" --

The alt-right movement in the US has actively been endorsing the use of left theory to achieve its ends. This book asks if the alt-right's reference of left theory is just bad reading, in addition to drawing on the history of right-wing readings of left theory to unpack recent developments and consider their impact on future theory.