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The Devil's Tabernacle is the first book to examine in depth the intellectual and cultural impact of the oracles of pagan antiquity on modern European thought. Anthony Ossa-Richardson shows how the study of the oracles influenced, and was influenced by, some of the most significant developments in early modernity, such as the Christian humanist recovery of ancient religion, confessional polemics, Deist and libertine challenges to religion, antiquarianism and early archaeology, Romantic historiography, and spiritualism. Ossa-Richardson examines the different views of the oracles since the Renaissance--that they were the work of the devil, or natural causes, or the fraud of priests, or finally an organic element of ancient Greek society. The range of discussion on the subject, as he demonstrates, is considerably more complex than has been realized before: hundreds of scholars, theologians, and critics commented on the oracles, drawing on a huge variety of intellectual contexts to frame their beliefs. In a central chapter, Ossa-Richardson interrogates the landmark dispute on the oracles between Bernard de Fontenelle and Jean-Francois Baltus, challenging Whiggish assumptions about the mechanics of debate on the cusp of the Enlightenment. With erudition and an eye for detail, he argues that, on both sides of the controversy, to speak of the ancient oracles in early modernity was to speak of one's own historical identity as a Christian.

This book is a comprehensive guide to the identification of Antique Native American baskets, specifically basket making tribes of western North American. It is not a formal anthropology text, but rather an organized compendium of Native basketry information that blends previous anthropologic studies and the experience of the authors. The text defines how collectors, curators, dealers, auction personnel, and academics can systematically approach tribal identification of Native American basketry. It does this by clarifying the authors' rational for tribal groupings based on basket types and not on language or other cultural traits. It explains multiple Native American basket making materials and techniques and describes how understanding this information can lead to accurate tribal attribution. This knowledge is essential in developing connoisseurship and will enhance an appreciation of this wonderful Native American art form.

Jill Kraye, Professor Emerita of the Warburg Institute, is renowned internationally for her scholarship on Renaissance philosophy and humanism. This volume pays tribute to her achievements with essays by friends, colleagues, and doctoral students - all leading scholars - on subjects as diverse as her work. Articles on canonical figures such as Marsilio Ficino and Justus Lipsius mix with more quirky pieces on alphabetic play and the Hippocratic aphorisms. Many chapters seek to bridge the divide between humanism and philosophy, including David Lines's survey of the way fifteenth-century humanists actually defined philosophy and Brian Copenhaver's polemical essay against the concept of humanist philosophy. The volume includes a full bibliography of Professor Kraye's scholarly publications