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Responding to the widespread material loss of silent films today, this article constitutes a playful exercise in curating a selection of nonextant films directed, written, and produced by early women filmmakers. After an introduction to the exercise, which sets up the feminist and film curatorial stakes of such an endeavor, I present my thematically organized film program (curatorial statement and program notes) to the reader. Drawing together films by women who worked in Peru, Croatia, Egypt, China, Mexico, Poland, and the United States, I argue that curating lost films not only makes space for a more inclusive picture of women's contributions to cinema history; this exercise is also a call for more imaginative approaches to feminist film and media curatorial practices.

Kate Saccone interviews Elif Rongen-Kaynakçi, Eye Filmmuseum's silent film curator. Rongen-Kaynakçi discusses various aspects of her career and daily work, from archival research and film restoration projects to curating film programs and working with scholars and digital research platforms. Central to this conversation is Rongen-Kaynakçi's role within the archive in relation to feminist film history and challenging established (patriarchal) film histories.