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Abstract
This paper explores the Western philosophical idea of "appetites" through the lens of "addiction." I begin with a brief ethnographic description of a woman whose subjectivity seems to emerge only in the play of her unmanageable desire for various pharmaceuticals. In other words, she is a self-described "addict." I then look at the relationships between addicts and the undead, especially vampires and zombies, who are seemingly enslaved to their appetites. This leads me to an analysis of the centrality of what I am calling "recursive need satisfaction" in much of Western (especially Anglophone and Francophone) Social Theory that, I argue, relies on a particular understanding of "appetite" in establishing the political-economic subjectivity that lies at the heart of market-oriented state. This same understanding also pushes this formation in a specific historical direction of increasing growth and organisational and technological complexity. As a globalised Western society in the last few decades has become ever more anxious of its place in the world, its impact on various interdependent systems, and the validity of the grand récits that served as its charter, such growth and complexity have emerged as objects of anxiety, even apocalyptic fear, and the terms "addict" and "addiction" have seemed ever more useful for modelling these concerns. I end with some reflections on how we use both zombies and addicts to think through some of the same issues of unchecked and damaging consumption.

Net Curtains and Closed Doors: Intimacy, Family and Public Life in Dublin. Elizabeth A. Throop. Westport, CT: Bergin and Garvey, 1999. 168 pp.

In this essay, I examine aspects of the life of a mental hospital nurse in the context of two main discourses (1) cultural debates about Ireland over the course of the last century or so, and (2) how the west of the island has been portrayed in some ethnographic writings. I argue that this nurse is situated partially in and partially out of both these discourses, and, furthermore, he is implicated in reproducing some ideas that render such judgment possible. I put forward a concept of "brokerage" to explain how objects and narratives that invoke a "tradition" stretching back into contested and intellectually murky histories can be experienced as felt orientations within a cultural environment.

ABSTRACTSThis essay examines aspects of the local history and cultural life of St. Columba's Mental Hospital, a formerly large asylum in the west of Ireland. The way local people talk about the hospital as a place and the way the institution mixes its local, colonial, and national histories reveal that native spatial logics have succeeded in at least partially domesticating this bureaucratic structure, even as the asylum and the thinking that motivated it have contributed to historical changes at this periphery.

This paper analyses some of the activities of a community development group connected to a very poor neighbourhood in Dublin, Ireland within the context of anti-poverty discourses and types of targeted funding generated by the European Union. Community development groups and discourses are saturated with terms such as the 'social market', 'inclusion' and 'community' that are an interesting combination of progressive politics and concepts recognizably connected to social science disciplines like Anthropology and Human Geography. In this essay, the authors examine a 'community' response to the so-called 'horse protest' in Dublin, a response in large part funded by EU mechanisms geared to combating 'social exclusion'. They also trace back some of the connections between the institutional actors in this community and EU policies and funding mechanisms. Finally, they examine the trajectory of the Republic of Ireland, especially its experience of a booming economy, that has influenced perceptions of, and reactions to, problems in this neighbourhood. This work represents an attempt to merge ethnographic data and policy analysis within one textual frame, and in particular it represents the authors' attempt to understand how certain discursive sign-posts like 'social exclusion' are given content as concrete social-historical processes.

The essays in this volume reflect on the nature of subjectivity in the diverse places where anthropologists work at the beginning of the twenty-first century. Contributors explore everyday modes of social and psychological experience, the constitution of the subject, and forms of subjection that shape the lives of Basque youth, Indonesian artists, members of nongovernmental HIV/AIDS programs in China and the Republic of Congo, psychiatrists and the mentally ill in Morocco and Ireland, and persons who have suffered trauma or been displaced by violence in the Middle East and in South and Southeast Asia. Painting on book jacket by Entang Wiharso