Search results

This paper discusses the Trieste Philharmonic Orchestra's tour in Serbia in the spring of 1946 and its political connotations. A sketch of the orchestra's foundation in the context of the concurrent political efforts to solve the Trieste question is then followed by a detailed outline of the journey itself, presented from the two points of view. First, the perspective of the Yugoslav authorities is illustrated and then an insight into musician's everyday life during the tour is given. ; У овом раду разматрам турнеју оркестра Тршћанске филхармоније по Србији у пролеће 1946. године, као и њене политичке конотације. Најпре скицирам околности које су довеле до оснивања овог оркестра, у контексту оновремених политичких напора да се разреши спор око Трста; након тога, пружам детаљан опис саме турнеје, и то са два становишта. Прво од њих односи се на перспективу југословенских власти, а друго на свакодневни живот самих музичара током ове турнеје.

The book explores two radical changes of cultural and social paradigm that determined the World after 1945 – Modernism and Postmodernism. From the cataclysmic atmosphere emerged the second wave of Modernism. In art this attitude was manifested in the form of a radical break with the aesthetic and stylistic characteristics of prior generations. In architecture the International Style was born, meanwhile similar «universality» was also a characteristic of musical serialism.From the beginning of the 1970s the wheels again began to turn in the other direction. The powerful destructive will of modernism increasingly waivered, and the period after modernism – postmodernism – began. The book answers questions related to the reasons for these turnarounds, their consequences and their implications