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El presente volumen Extraordinario incluye las ponencias presentadas a la V Jornadas de Estudios Andaluces, celebradas en Jerez-Cádiz del 3 al 5 de diciembre de 1981. Los organizadores de dichas Jornadas fueron el Banco Bilbao de Andalucía y la Facultad de Derecho de Jerez de la Frontera- Universidad de Cádiz, con la colaboración del Instituto de Desarrollo Regional de la Universidad de Granada, Facultad de Ciencias Económicas y Empresariales de la Universidad de Málaga y el Instituto de Historia de Andalucía de la Universidad de Córdoba. La edición de este volumen ha sido posible gracias a la generosa colaboración del Banco de Bilbao.

From the critical paradigm of the Social Sciences, I propose a reflection on the way in which women are represented in artistic imaginaries. I promote a critical review through analysis and dialogue, on the models of representation. Josep Renau's photomontages are still a laboratory for pedagogically addressing the vindication of a naturalistic against a capitalist model in which not even the author himself, a left-wing intellectual, is saved from the patriarchal optics at the time of selecting feminine attributes in his photomontages. This task of semiotic unveiling aims at the observation and production in the classroom of projections present in advertising and networks, so as to consider the influential images and alternative constructions of female identities.

This paper analyzes the representations of new masculinities and dissident identities in poetic texts written in Spanish in the 20th and 21st centuries, from Luis Cernuda to Ángelo Néstore, including Porfirio Barba-Jacob, Federico García Lorca, Leopoldo M.ª Panero and Ana Rossetti as representative authors of what has come to be considered queer literature. In this current, issues about the construction of the subject, corporeality, sex, categories and cultural institutions of the patriarchal and binary system are recognized and problematized. To this end, this study employs the methodological synergy of queer studies with literary criticism in order to expose and evaluate the literary manifestations of abject bodies in the Hispanic context.