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Irmgard Wetzstein untersucht die Möglichkeiten konstruktiver Konfliktbearbeitung in der qualitätsjournalistischen Auslandsberichterstattung. Sie grenzt diese zur friedensjournalistischen Idee ab, wobei systemische bzw. konstruktivistische Überlegungen im Vordergrund stehen. Die Kriegs-, Krisen- und Konfliktberichterstattung, der Auslandsjournalismus, seine Wirkpotenziale und Wechselbeziehungen zwischen dem System Journalismus und politischen EntscheidungsträgerInnen werden anhand des Konzepts der öffentlichen Diplomatie erläutert. Aus konflikttheoretischer Perspektive führt die Autorin eine Inhaltsanalyse unterschiedlicher Phasen des israelisch-palästinensischen Konflikts sowie der Unabhängigkeitserklärung des Kosovo in vier Printmedien durch. Sie gibt damit einen Einblick in die journalistische Praxis im Umgang mit Konfliktereignissen, die für die Öffentlichkeit nicht direkt erfahrbar sind.

The article presents the results of a qualitative documentary image interpretation of the visual discourse of the Hong Kong protests on the Twitter hashtag #hongkongprotests. Visual thematic patterns, the actors depicted, and the relations between actors as well as visual perspectives were analyzed to derive the function of visual images and to give insights into visual protest storytelling. Visuals and image-text relations in Tweets within #hongkongprotests revealed an application of images in clear favor of the protest movement taking an 'at the scene'/'on the ground' perspective, with media workers being active in front of the camera rather than mere observers behind the camera. While the approach used proved to be suitable for the research project, the research design comes with some limitations, for example in terms of the non-generalizability of results.

The unprecedented arrival of more than a million refugees, asylum seekers, and migrants - plus the political, public, and policy reactions to it - is redefining Europe. The repercussions will last for generations on such central issues as security, national identity, human rights, and the very structure of liberal democracies. What is the role of the news media in telling the story of the 2010s refugee crisis at a time of deepening crisis for journalism, as "fake news "ran rampant amid an increasingly distrustful public? This volume offers students, scholars, and the general reader original research and candid frontline insights to understand the intersecting influences of journalistic practices, news discourses, public opinion, and policymaking on one of the most polarizing issues of our time. Focusing on current events in Greece, Austria, and Germany - critical entry and destination countries - it introduces a groundbreaking dialogue between elite national and international media, academic institutions, and civil society organizations, revealing the complex impacts of the news media on the thorny sociopolitical dilemmas raised by the integration of hundreds of thousands of asylum seekers in EU countries.

The experiment investigates visual framing effects of news stories on readers'(1) emotional response, (2) evaluation of communicative quality, (3) journalistic credibility and (4) objectivity, and (5) perception of actor representation. Three versions of a news report about the Gaza conflict were used. While the text remained the same, different images were added representing visual human-interest framing, visual political framing, and no visual framing. Visual human-interest framing elicited stronger emotional responses, higher values concerning the communicative quality, and had an impact on the perceived actor representation. No differences in objectivity and credibility were found among the three stimuli.