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Béatrice Longuenesse presents an original exploration of our understanding of ourselves and the way we talk about ourselves. She shows how in first-person thought and language we may express radically individual experiences as well as thoughts that make a claim to validity for all human beings.

In this collection of essays Béatrice Longuenesse considers the three aspects of Kant's philosophy, his epistemology and metaphysics of nature, his moral philosophy and his aesthetic theory, under one unifying standpoint: Kant's conception of our capacity to form judgements. She argues that the elements which make up our cognitive access to the world - what Kant calls the 'human point of view' - have an equally important role to play in our moral evaluations and our aesthetic judgements. Her discussion ranges over Kant's account of our representations of space and time, his conception of the logical forms of judgements, sufficient reason, causality, community, God, freedom, morality, and beauty in nature and art. Her book will appeal to all who are interested in Kant and his thought

For the past 200 years, Kant has acted as a lens--sometimes a distorting lens--between historians of philosophy and early modern intellectual history. Kant's writings about Descartes, Leibniz, Locke, Berkeley, and Hume have been so influential that it has often been difficult to see these predecessors on any terms but Kant's own. In Kant and the Early Moderns, Daniel Garber and Béatrice Longuenesse bring together some of the world's leading historians of philosophy to consider Kant in relation to these earlier thinkers. These original essays are grouped in pairs. A first essay discusses Kan