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AbstractTally reviews Loren Goldner's Herman Melville: Between Charlemagne and the Antemosaic Cosmic King, which posits that Melville was the American Marx, exposing the crisis of bourgeois ideology in the revolutionary period around 1848. In this, Goldner follows a tradition of Marxian scholarship of Melville, notably including C.L.R. James, Michael Paul Rogin, and Cesare Casarino. Tally concludes that Goldner's argument, while interesting, is limited by its focus on American exceptionalism and by ignoring the postnational force of Melville's novels.

The idea of ""Utopia"" has made a comeback in the age of globalization, and the bewildering technological shifts and economic uncertainties of the present era call for novel forms of utopia. Tally argues that a new form of utopian discourse is needed for understanding, and moving beyond, the current world system