Search results

The Secretary-General is appointed by the General Assembly upon the recommendation of the Security Council. Due to the veto power of the permanent members, lack of transparency and the recommendation of only one candidate, the appointment of the Secretary-General is basically a decision of the Security Council. UN member states, civil society organizations and schoolars point out the need for a more active role of the General Assembly during the appointment of the Secretary-General. Formation of the ad hoc working group for the revitalization of the work of the General Assembly raised this problem to a higher level. Current procedure of appointment of the Secretary-General was reasonable at the time of the adoption of the UN Charter. The circumstances of the 21st century require different solutions. The paper aims to show the necessity and possibilities of strengthening the role of the General Assembly in the process of appointment of the Secretary-General and obstacles existing in this regard. The long-term activities of the ad hoc working group for the revitalization of the work of the General Assembly gave positive results in terms of more active role of the General Assembly during the appointment of the Secretary General in 2016. The paper aims to show that the results achieved by the ad hoc working group are not long-term efficient. The most effective solution for strengthening the role of the General Assembly in the appointment of the Secretary-General is the revision of the UN Charter.

By reporting on some conflicts but not on others, and by representing conflicts they report on in particular ways, the media strongly influence the dynamics and outcomes of democratisation conflicts, and thus also shape the prospects of success of conflict parties. This paper explores the literature on media and conflict by focusing on the ways in which media frame inter-state and civil wars, institutionalised conflicts and social movements in western democracies, and conflicts in nondemocratic and democratising states. Much of the literature discusses the ways in which western media frame foreign conflicts and domestic election campaigns and policy debates, while there is considerably less focus on domestic conflicts in nonwestern settings, such as those that arise during and after transitions from nondemocratic rule. There are only limited attempts to draw parallels between the media coverage of disparate conflicts. In contrast, this study builds upon research findings in these related areas to draw lessons for empirical research of media framing of the contentious dimension of contemporary democratisation. This study concludes that the political context is the main factor that shapes the media framing of various forms of political conflict. Several dimensions of the political context matter in this respect, such as regime type, international (foreign) or domestic perspective, elite consensus or conflict, policy consensus or uncertainty, policy area, more or less institutionalised nature of the political conflict at stake, and the stage of democratisation. Also, the literature suggests that media framing strongly influences political outcomes and thus fosters or undermines democratic institutions in new democracies. .

Newspaper articles about Hungary on the pages of Vjesnik in the period between 1945 and 1950 were relatively numerous, but dealt exclusively with political circumstances and relations. Three basic stereotypes could be seen in the writings about Hungary, and it is indicative that they were formed in a relatively short period of four years and that they were radically opposite to each other. The first one, in the period from the end of the World War Two up to the establishment of complete communist command in Hungary in the Fall of 1947, when the defeated forces and civil political groups were ascribed negative aspects of Hungarian life and relationship with Yugoslavia, with affirmation of all the activities connected with national democratic, communist orientation. The other, in the short period between the Fall of 1947 and Summer of 1948, when the articles about Hungarian themes had solely positive characteristics. The third, after the resolution of Information Bureau of the Cominform in Summer of 1948, when the newspaper pages on Hungary were again full of negative articles, but this time Hungarian communist leadership was blamed for all the negativities. The picture about Hungary which one could get from the newspapers was generally incomplete, oriented primarily to the political events. It obviously depended on political and ideological orientations of Yugoslav ruling communist circles. The information was in the service of achieving exclusively political goals, not to give thorough and complete information to the readers. (SOI : CSP: S. 518)

Based on the experience of former rightist and communist dictatorships in Europe regarding different forms of opposition - both open and hidden within these regimes' structures - the author analyzes the role of the opposition in the process of the sweeping democratic change that has taken place the "new democracies" of Central and Eastern Europe in the direction of the state of law and civil society. His conclusion is, that in today's Central European countries political multi-party pluralism which includes viable parliamentary opposition was given a smooth start and has since taken root. However in the countries with only superficial democracy and an obvious "democratic deficit" - for example Croatia (and Slovakia) - parliamentary opposition plays the second fiddle. The prime movers of the change - and of the democratization as well - are still the ruling parties (not unlike during the communist single-party regimes). Changes occur only when the ruling party or its major fraction opt for them considering them the lesser of two evils, either because they are no longer satisfied with the distribution of power and goods within the existing status quo or because they are aware that it cannot be maintained in its present form. This happened in the Soviet Union , first under Nikita Khruschev and then again under Mihail Gorbachev. Changes, however, when imposed from above get out of hand and backfire against those who have set them off (remember Gorbachev); what emerges is usually a compromise between tbe vestige of the old and the emerging regime. (SOI : PM: S. 92)

The process of industrialization has gone through three stages that have been described as Industrial Revolution. We are currently at the threshold of the Fourth Industrial Revolution that will fundamentally change the way we live and work. We still do not know how this will unfold exactly, but one thing is clear: the answer to it must be integrated and comprehensive, including all stakeholders in global politics, from the public and private sectors to the academic community and civil society. The speed of current technological discoveries compared to previous industrial revolutions cannot be measured. The breadth and depth of these changes affect the transformation of the overall production and management systems. This paper aims to present the main characteristics of Industry 4.0 and describe how they affect the creation of new industrial policies in countries around the world. ; Proces industrijalizacije prošao je kroz tri faze koje su opisane kao industrijske revolucije. Trenutno se nalazimo na pragu četvrte industrijske revolucije koja će fundamentalno promeniti način na koji živimo i radimo. Još uvek ne znamo kako će se to tačno odvijati ali jedno je jasno: odgovor na nju mora biti integrisan i sveobuhvatan, uklјučujući sve zainteresovane strane u globalnoj politici, od javnog i privatnog sektora do akademske zajednice i civilnog društva. Brzina trenutnih tehnoloških otkrića u poređenju sa prethodnim industrijskim revolucijama ne može se meriti. Širina i dubina ovih promena utiču na transformaciju celokupnih sistema proizvodnje i upravlјanja. Ovaj rad ima za cilј da predstavi glavne karakteristike Industrije 4.0 i opiše na koji način one utiču na kreiranje novih industrijskih politika u zemlјama širom sveta.

In Croatia, the issue of the legal status of the sources of journalists' formation as well as the status of journalists who publish sensitive information is increasingly gaining prominence. This is a subject which includes elements of constitutional, media, labour, civil, and penal law. The essay is limited to people as information sources. The sources can be divided into internal and external. The rationale for the sources' confidentiality privilege lies in the fact that journalists serve public goals and their sources can find themselves imperilled. According to the author's classification, the risks of this privilege are faced either by the sources (direct or indirect manipulation, smear campaigns, misapprehensions) or by the journalists ("protecting" a fictional source, subsequent blackmail of the source, misapprehensions). In Croatia, the protection of the information sources is defined in Article 12 of the Law on Public Information. The author outlines the major comparative systems of regulation of this field, the examples of antinomies among different Croatian regulations (the principles for their resolution are also offered) and analyses the position of certain types of sources in relation to the Croatian law. And finally, the author compares the regulations of the Croatian law with the comparative systems, analyses the representation of certain forms of responsibility of certain types of subjects and lists the principles he deems most important regarding journalists' work (the necessity of protecting the sources, the responsibility of journalists towards their sources, the different legal statu of journalists and their sources, the protection of privacy, the verification confidentiality, the more dominant interest, the importance of administrative ethics, the familiarity with the regulations, the adequate legal definition of a secret). (SOI : PM: S. 228)

What are today's mass media like? Are they objective enough or are consumers too fatidious? How topical the issues of the freedom of the media, truth, and objectivity are? The author has tried to provide the answers by looking into the norms and regulations in Croatia and abroad, beginning with the Code of Honour of the Croatian Association of Journalists, the documents of the Council of Europe and the famous First Amendment to the US Constitution. + A probe into the freedoms of American journalism shows that there are no all-inclusive recipes and that these freedoms must be fought for and won. The best way to secure the right to the freedom of speech is to consistently respect the standards of professional journalism. However, our experience and practice show that this aspect is most lacking. Particularly interesting is how these problems were noticed by Croatian journalists Frano Folnegovic and Bogoslav Sulek more than a century ago. Apart from the political restrictions and pressures, Croatian journalists do not pay enough attention to this respect for the standards of professional journalism, which can best be illustrated by the example of the catastrophe of that American plane near Dubrovnik, when some media reported not only that the plane had safely landed but published the late Secretary's statement. Only by strictly respecting professional standards, which may be achieved through constant improvement, study and research, the preconditions for objective and authentic reporting may be realised. (SOI : PM: S. 165) + Civil society has set up many commissions, councils and committees with the aim of controlling mass media so that they would not only be a profit-amassing industry but would also conform to the fundamental demands that are put on journalism

The author points up the proverbial complexity of Yugoslavia and the inadequacy of its political structure, officially made up of six republics, five peoples, four languages, three religions, two alphabets, and one party. That is why the subjective orientations of its many peoples went counter to its existence, leading to its disintegration following the first multiparty elections. Serbs and Montenegrins were its partisans and due to a lack of democratic political culture they launched the war for the preservation of Yugoslavia. The properties of the political culture of the peoples living on its territory had acted as trip-wires for that war, defined its form, course and intensity. Due to their national identification with Yugoslavia and insufficient democratic political culture, Serbs and Montenegrins started the war for the territories of Croatia and Bosnia and Herzegovina. The aggressors belong to the Eastern civilisational sphere, speak the Serbian language, write in the Cyrillic alphabet. are culturally tribally oriented, want to live in Yugoslavia and Greater Serbia which would be socialist, and are adherents of repressive types of political culture. The victims belong to the Western civilisational sphere, they are Catholics and Moslems, speak Croatian, write in the Latin alphabet, are culturally communally oriented, and favour the participatory political culture. During the Serbian and Monetenegrian aggression, two civil wars erupted in Bosnia and Herzegovina: (1) between the Muslims and the Croats and (2) between the Muslims. The participants of this war all swear their allegiance to the state of Bosnia and Herzegovina, but differ in their visions of its political structure. The Moslems wish a unitarian state of Bosnia and Herzegovina, the Croats want it to be a federal state, while the Serbs are against any separate state of Bosnia and Herzegovina. (SOI: PM: S. 242)

Uporedo sа porаstom političkih tenzijа u globаlnim okvirimа usled аntаgonizmimа ekonomski i vojno nаjmoćnijih zemаljа, prve decenije nаkon Drugog svetskog rаtа donele su i intenzivirаnje konflikаtа unutаr аmeričkog društvа te njihovo problemаtizovаnje u jаvnom i političkom polju. Grаđаnsko nezаdovoljstvo nа tlu SAD-а imаlo je rаzličitа ishodištа kаo i rаzličite vidove kаnаlisаnjа kаdа je reč o metodаmа političkog i društvenog orgаnizovаnjа ugroženih ili obesprаvljenih društvenih grupа. Kаo jedаn od njegovih nаjupečаtljivijih oblikа ispoljаvаnjа bilo je političko, kulturno i društveno delаnje аfroаmeričke zаjednice nаročito tokom 60-ih godinа prošlog vekа, u "nаjborbenijoj" fаzi Pokretа zа grаđаnskа prаvа.2 U ovom periodu znаčаjаn deo аfroаmeričke populаcije počev od predstаvnikа njene političke i kulturne elite do аkterа iz nаjnižih slojevа bio je uključen u rаzličite vidove аktivnosti sа ciljem dezintegrаcije represivnih mehаnizаmа аmeričkog društvа, te otklаnjаnjа ključnih činilаcа političke, kulturne i ekonomske nejednаkosti njegovih pripаdnikа. ; Since the beginning of the 20th century African American intellectual and political elite strived to define the place of black minority in the American society by formulating its political, cultural and economic goals. During that time different concepts of African American culture as well as different cultural policies were promoted in the political, artistic and academic fields. In the 1960s distinct visions of the future of African American community in the American society were consolidated and mediated through the Civil Rights Movement and its multiple organizations that included both the activist from the lower social strata and intellectuals and artists. Among them were many male jazz musicinas as well as a few female jazz artists. Focusing on the artistic work of Nina Simone in the 1960s as a specific example of fusion of political and feministic activism, we will examine the ideological and aesthetical distinction of her position in the fields of politics, music and culture of that period. In that process we will analyze the artistic sublimation of Simone`s understanding of African American racial and feminist identity comparing her views with the predominant perspectives of the African American political, intellectual and artistic elite.