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Philip Cunliffe, excorcizing the demons of Cosmopolitan Dystopia
Hello everyone! Welcome to Episode 25 of Fully Automated. This week we are joined by Dr Philip Cunliffe, Senior Lecturer in International Conflict at the University of Kent. Phil has been a guest on the show before actually. He joined us in Episode 16, for our "What the Brexit?" debate, at the 2019 ISA Convention, in Toronto. And listeners may also be familiar with his voice from the podcast Aufhebunbga Bunga, which he records with Alex Hochuli and George Hoare.



Today we are going to talk with Dr. Cunliffe about his new book, Cosmopolitan Dystopia (Manchester Press, 2020), which is a detailed study of the negative impact of human rights discourse on global politics since the end of the Cold War. Now, for many on the left, this will be a controversial point. As he notes in the book, many see human rights discourse as a cover for US imperial ambitions. Yet, says Cunliffe, we can't explain the popularity of global human rights discourse, or the extent to which it is invoked even by European powers, solely through the lens of American hegemony. You need a more nuanced account. And this is where Cunliffe brings in the idea of reading human rights discourse as a counter-utopian, or anti-political, symptom of the neoliberal era.



Cosmopolitan Dystopia
On the surface, this argument might appear paradoxical. How can human rights be anti-utopian? But I think any listeners who might have watched the Adam Curtis documentary HyperNormalization will already have an insight into where Phil is taking this argument. As he notes, a key value at the heart of contemporary liberalism is an aversion to the so-called "fate of utopians." Human rights violations happen, according to this schematic, because people want to change the status quo.



In this interview, we cover a range of issues. For me though, one of the highlights is our discussion about the complete lack of critical self-awareness of people like Juergen Habermas and, more recently, Samantha Power. In their support for interventions in Yugoslavia and Rwanda in the 1990s, liberals invoked the idea of the 'just' liberal war, and paved the way for the liberal justification of future American wars, from Iraq to Libya and Syria. But this book is not just a critique of American wars — it also examines the bloody interventions of the British and the French, in Africa. The common element to all these cases is the fervent belief among cosmopolitan liberals that the world is better disposed to their ideals than it really is (which is not to say the world isn't oriented to cosmopolitan ideals — just that they might not be liberal cosmopolitan ideals!).



Now, I'll say that I don't know that I fully agree with all of Phil's positions here. On the one hand, I do think he makes a compelling case that there's been a substantive "restructuring" of world order going on, as a result of what he terms the "cumulative weight" of interventions since the Cold War. But I am just not sure I am as persuaded as he, that self-determination and sovereignty are necessarily the solution to the problems of contemporary capitalist order. I may be wrong about this, and certainly I think the left would be foolish not to try to leverage the power of the state as much as possible, to achieve its goals. But I think there's a risk of maybe fetishizing the benefits of what some call 'delinking' at the expense of engaging on the terrain of international and transnational institutions. For more on this, listeners might want to revisit Episode 14, where we talked about this a bit with Lee Jones.



Anyway, that all said, I think this is a magnificent and politically important book. And I think Phil has made a real contribution with it. It should be widely read, and discussed.

Welcome to another episode of Fully Automated! Our guest for this episode is Keir Milburn, Lecturer in Political Economy and Organization at the University of Leicester. Keir has a new book out, called Generation Left. I had a chance to discuss the text recently, with my Columbus, OH-based friends, Chairman Moe's Magic Contradiction (AKA Charlie Umland and Jim Calder). We liked it so much, we thought we'd reach out to Keir and see if he'd come on the show, to discuss.



American audiences may have heard Keir interviewed by Chuck Mertz a couple of weeks ago, on This Is Hell! We're kind of hoping this could be a good companion episode to that interview, as we go deep into some aspects of the book that Chuck didn't have time to address. And there is a LOT going on in this book! It starts by questioning the popular notion that Millennials and Zoomers are a bunch of entitled snowflakes, and suggesting that this myth is actually doing quite a lot of work, politically, in dividing young and old members of the working class, giving them over to the idea that they have fundamentally different interests.



But of course, as with many myths, an investigation of the facts produces a rather different persecutive. It turns out, says Keir, that the generations are stuck in rather different material trajectories. One statement Keir makes early in the book really caught our attention: "the older generation are still tied to the neoliberal hegemony of finance while the young seek to escape it." But these trajectories are not a given. To the contrary, the logic of neoliberalism forces the Boomer generation to hold onto its material advantages, as a retirement strategy. And, as it does this, it condemns Millennials and Zoomers to a life of debt and forces them into a culture of cynical entrepreneurialism.



In the show, we talk with Keir about the role of events in composing generations. Events, he says, can disrupt our accepted ways of making sense of the world, and lead to the emergence of radically new social energies. But not every disruptive event will necessarily lead to some kind of new configuration, nor will every new configuration necessarily be a progressive one.



One particular event, the 2008 financial crisis, of course looms large in Keir's story. Unleashing austerity on the developed world, it represents in a sense the apogee of neoliberal governmentality. Milburn cites academic theorists like Wendy Brown, Maurizio Lazzarato, and Jennifer Silva to try to explain how neoliberal capitalism tries to get us to think and act as if there is no alternative to neoliberalism, even tho we all know its not working — we know we can't all be entrepreneurs. (This reminded us a bit of Adam Curtis, and his hyper-normalization documentary). A key figure for Milburn here is Mark Fisher, and his argument about consciousness deflation.



Whatever we want to call this system (authoritarian neoliberalism? zombie capitalism?), clearly it is making us sick. Throughout the text, Milburn make repeated reference to how we are living in the midst of an epidemic of "depression, insomnia and mental distress." Yet there's kind of a mystery to unpack here. He cites Jennifer Silva, for example, to explain how capitalism prefers us to internalize these issues, making them questions more to to do with our emotional and psychic resilience, than anything to do with the structure of the economy.



And, as he argues, this way of thinking about our mental wellbeing even showed up in the "assemblyism" of the occupy Wall Street movement. Nevertheless, he insists, Occupy's approach to the collective discussion of experiences and struggles did offer therapeutic and even political potentials to the young people who participated. And, as we discuss in the show (admittedly not in nearly enough detail) there are things we can learn here, very much in the spirit of the late Mark Fisher, that might be applied to a new model of treating mental and ...

Welcome to Episode 11, of Fully Automated, an Occupy IR Theory podcast! Today, we have Part One of our first ever two-part episode, on the topic of Situationism! Joining me for this episode are two friends of mine from Columbus, Ohio, Charlie Umland, and Jim Calder. They are pretty sharp, when it comes to this topic. And, over the course of this two-part episode, they're gonna help us understand just who the situationists were, and who they weren't.

Now, coincidentally, situationism has sort of been back on the radar, lately. In February 2017, the New York Times ran a piece by Robert Zaretsky, called 'Trump and the 'Society of the Spectacle'.' In the piece, Zaretsky offers this very Situationist sounding line:
Like body snatchers, commodities and images have hijacked what we once naïvely called reality. The authentic nature of the products we make with our hands and the relationships we make with our words have been removed, replaced by their simulacra."
In the episode, Charlie, Jim and I get into some discussion of this piece. One of our big points is that perhaps Zaretsky's take is kind of off the mark. For him, the Trump is the master of the image, in a time when the very form of image itself, has hijacked our reality. Focusing on the image as the problematic form this way, however, Zaretsky's Situationists resonate somewhat too cynically. Indeed, it could be said they bear a familiar resemblance with the work of another famous French scholar, Jean Baudrillard. Now, Baudrillard doesn't hail from Situationism. But he is a critic of contemporary capitalism, and he is particularly preoccupied with the rise of what he terms 'hyperreality' — an economic era dominated by the logic of the image, wherein humans have been seduced into a state of passive consumption. For Baudrillard, where older modes of capitalism were predicated on production of actual goods, society today is a simulation; we are a consumer society, but what we consume is nothing more than signs, or symbols. In such a society, even political resistance has sort of dissipated into a kind of moral relativism; we no longer fight for any particular group's "code" — instead we adopt a stance of ironic "fascination."

This attitude of fascination, or what we might even call flanneurism, is exemplified in a scene in the recent Adam Curtis documentary, Hypernormalization. In this scene, we meet a young Patti Smith, giggling as she recounts the ironic prospect of poor people, watching movie trailers over and over, on a small screen outside of a cinema. Its as if she's hypnotized herself, by the total surrender to passivity of the people watching the screen. She is overwhelmed by the cynicism of it all, and can only laugh.

But in the episode, we make the argument that this is perhaps precisely the wrong way to interpret the Spectacle. Situationism is much more than simply a critique of seduction; the theory of spectacle is NOT simply that we have been reduced to the status of a mass of consumers, or that we are simply distracted by the ongoing barrage of the media's meaningless images. To the contrary, a key concept that has come up for us in our discussions is that of "separation" — which is something like the alienation experienced by everyday people, not just in capitalism, but also in other highly bureaucratized technical systems, like the Soviet Union, when rationalities of expertise work to delegitimize any demand they might make, for true collective participation in the productive systems that govern their lives. And, we argue, it is in this sense that Society of Spectacle is still very much a Marxist project. One need only consider how frequently the topic of the proletariat is discussed, and the various tasks to which it must attend, if it is to survive.

So, a little bit about our guests today. Both are from Ohio:

Charlie Umland is a cook. He likes to learn about art and philosophy and communism, and he is an unapologetic D&D fan.