Normalising gender equality: Changing gender norms to increase gender equality
In: Tijdschrift voor genderstudies, Volume 25, Issue 3, p. 212-230
ISSN: 2352-2437
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In: Tijdschrift voor genderstudies, Volume 25, Issue 3, p. 212-230
ISSN: 2352-2437
In: Jaarboek voor vrouwengeschiedenis 32.2012
The term performance - a temporary and active presentation, expression, or act - has a presence in all cultural media and genres, and has repercussions for taking on, experiencing, and enacting an identity as well. Performance reaches beyond theatre, ballet and music to any human behaviour that is constantly performed through personal acts that contradict stereotypes - not just with regard to gender, but equally so with regard to class and ethnicity or race. The theme Gender and Performance focuses upon the performative strength of gender through various media: feminist and political theatre, an online 'private' novel turned radio play, protest movements, internet beauty blogs, dressing and fashion and the performativity of the word slut. Gender and performativity will take the reader to the Netherlands, Austria, Canada, Mexico and the Philippines
In: Boletim IGTN, 1 (novembro 2001) 5
World Affairs Online
O presente artigo propõe uma análise de dois textos clássicos da Antiguidade grega,As Bacantesde Eurípedes e a República de Platão, à luz da teoria contemporânea degender performativityde Judith Butler. O conceito degender performativityserá apropriado para ilustrar analogamente, mesmo que de forma anacrônica, o quanto que o imaginário grego, apesar de temporalmente distante, pode nos apresentar – seja a partir do discurso filosófico, seja a partir do discurso literário da tragédia grega – bons exemplos para uma das teorias mais sofisticadas, diríamos, no campo dos estudos de gênero hoje. A proposta é a de mostrar de que modo o conteúdo desses dois textos nos permite compreender o debate contemporâneo da teoria crítica das identidades de gênero. Trata-se de identidades fixadas em atos performativos que conformam o gênero ao sexo anatômico, limitando-o a duas possibilidades: masculino ou feminino. Considerando o contexto histórico e as questões que são próprias do mundo grego antigo, a análise aqui proposta nos permitirá jogar luz, especialmente, nas estratégias que Platão e Eurípedes empreenderam no sentido de deslocar as normas de gênero constituídas napólis. O exame dos textos permitiu-nos identificar que na antiguidade, mas também na contemporaneidade, mesmo que de forma diferente, as discussões das relações de gênero estão ajustadas, principalmente, pelo discurso político a respeito dessas relações. ; The current article draws on Judith Butler's gender performativity theory to analyse two classical text of Greek Antiquity – theBacchaeby Euripides and TheRepublicby Plato. The concept of gender performativity will be used to illustrate analogously even anachronically, how much the Greek imaginary, in spite of being temporally distant, can fruitfully contribute to, what we would identify as one of the most sophisticated contemporary theories in contemporary gender studies, both as this imaginary emerges from the literary discourse of the tragedy or the discourse of philosophy. This will allow us to show how the two above mentioned texts can contribute to the contemporary debate on the critical theory of gender identity, as these are fixed in performative acts that make gender conform to anatomic sex, limiting gender to the two possibilities of masculine or feminine. Considering the historical context and the question that are specific to the world of Ancient Greece, our analysis will permit us to cast light, in particular, on the strategies that Plato and Euripides drew on to disrupt the gender norms of the polis. Examining the texts allows us to argue that in antiquity, as well as in the contemporary world, albeit in different ways, discussions of gender relations are fitted primarily by the political discourse regarding these relations.
BASE
In: Relações internacionais: R:I, Issue 6, p. 185-190
ISSN: 1645-9199
O presente artigo propõe uma análise de dois textos clássicos da Antiguidade grega, As Bacantes de Eurípedes e a República de Platão, à luz da teoria contemporânea de gender performativity de Judith Butler. O conceito de gender performativity será apropriado para ilustrar analogamente, mesmo que de forma anacrônica, o quanto que o imaginário grego, apesar de temporalmente distante, pode nos apresentar – seja a partir do discurso filosófico, seja a partir do discurso literário da tragédia grega – bons exemplos para uma das teorias mais sofisticadas, diríamos, no campo dos estudos de gênero hoje. A proposta é a de mostrar de que modo o conteúdo desses dois textos nos permite compreender o debate contemporâneo da teoria crítica das identidades de gênero. Trata-se de identidades fixadas em atos performativos que conformam o gênero ao sexo anatômico, limitando-o a duas possibilidades: masculino ou feminino. Considerando o contexto histórico e as questões que são próprias do mundo grego antigo, a análise aqui proposta nos permitirá jogar luz, especialmente, nas estratégias que Platão e Eurípedes empreenderam no sentido de deslocar as normas de gênero constituídas na pólis. O exame dos textos permitiu-nos identificar que na antiguidade, mas também na contemporaneidade, mesmo que de forma diferente, as discussões das relações de gênero estão ajustadas, principalmente, pelo discurso político a respeito dessas relações. ; The current article draws on Judith Butler's gender performativity theory to analyse two classical text of Greek Antiquity – the Bacchae by Euripides and The Republic by Plato. The concept of gender performativity will be used to illustrate analogously even anachronically, how much the Greek imaginary, in spite of being temporally distant, can fruitfully contribute to, what we would identify as one of the most sophisticated contemporary theories in contemporary gender studies, both as this imaginary emerges from the literary discourse of the tragedy or the discourse of philosophy. This will allow us to show how the two above mentioned texts can contribute to the contemporary debate on the critical theory of gender identity, as these are fixed in performative acts that make gender conform to anatomic sex, limiting gender to the two possibilities of masculine or feminine. Considering the historical context and the question that are specific to the world of Ancient Greece, our analysis will permit us to cast light, in particular, on the strategies that Plato and Euripides drew on to disrupt the gender norms of the polis. Examining the texts allows us to argue that in antiquity, as well as in the contemporary world, albeit in different ways, discussions of gender relations are fitted primarily by the political discourse regarding these relations.
BASE
In: Tijdschrift voor genderstudies, Volume 23, Issue 3, p. 285-290
ISSN: 2352-2437
In: Tijdschrift voor genderstudies, Volume 24, Issue 1, p. 65-69
ISSN: 2352-2437
In: Tijdschrift voor genderstudies, Volume 23, Issue 2, p. 103-111
ISSN: 2352-2437
In: Liverpool Latin American studies new ser., 7
The struggles for independence in Latin America during the first half of the nineteenth century were accompanied by a wide-ranging debate about political rights, nationality and citizenship. In South American Independence , Catherine Davies, Claire Brewster and Hilary Owen investigate the neglected role of gender in that discussion. Examining women writers from Brazil, Argentina, Chile, Peru, and Colombia, the book traces the contradictions inherent in revolutionary movements that, while arguing for the rights of all, remained ambivalent, at best, about the place of women. Through studies of b
In: Tijdschrift voor genderstudies, Volume 23, Issue 1, p. 51-72
ISSN: 2352-2437
In: Tijdschrift voor genderstudies, Volume 23, Issue 1, p. 85-89
ISSN: 2352-2437