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"Pornography, Indigeneity and Neocolonialism examines how pornography operates as a representational system that authenticates settler colonies, focussing on American and Australian examples to reveal how pornography encodes whiteness, pleasure, colonisation and Indigeneity"--

"Since Israel conquered the West Bank from Jordan in 1967, over 400,000 settlers have moved into the territory. In recent years, Israeli settler organizations and allied American-Jewish lobbyists have responded to international condemnation of the occupation by mobilizing narratives of indigeneity, claiming sovereign and divine rights to the land. Settler Indigeneity in the West Bank asks what Israeli settlers mean when they say they are indigenous; how settler indigeneity is felt, performed, and mediated; and what are the implications of indigeneity claims on the international stage. Building on foundational scholarship that has come out of post-colonial and indigeneity studies, the volume theorizes settler indigeneity as a cultural phenomenon and product of transnational settler-colonial histories, while also interrogating the dialectic of "settler" and "indigenous" to illustrate their co-constitution. Considering agriculture, clothing, food, language, and religious practices, the chapters explore how feelings of indigeneity are fashioned and how these feelings continue to transform the landscape of the West Bank. Offering a series of original ethnographic accounts of these cultures and communities, Settler Indigeneity in the West Bank intimately documents and discusses the processes of settler-nativization in conversation with a variety of related literature in anthropology, cultural studies, Israel studies, religious studies, and settler-colonial studies."--

How do videos, movies and documentaries dedicated to indigenous communities transform the media landscape of South Asia? Based on extensive original research, this book examines how in South Asia popular music videos, activist political clips, movies and documentaries about, by and for indigenous communities take on radically new significances. Media, Indigeneity and Nation in South Asia shows how in the portrayal of indigenous groups by both 'insiders' and 'outsiders' imaginations of indigeneity and nation become increasingly interlinked. Indigenous groups, typically marginal to the nation, are at the same time part of mainstream polities and cultures. Drawing on perspectives from media studies and visual anthropology, this book compares and contrasts the situation in South Asia with indigeneity globally.

This is the first book to exclusively address tourism and indigenous peoples in the circumpolar North. It examines how tourism in indigenous communities is influenced by academic and political discourses and how communities are influenced by tourism. The volume seeks to challenge stereotypical understandings of indigenousness and indigeneity

In Haunting Biology Emma Kowal recounts the troubled history of Western biological studies of Indigenous Australians and asks how we now might see contemporary genomics, especially that conducted by Aboriginal and Torres Strait Islander scientists. Kowal illustrates how the material persistence of samples over decades and centuries folds together the fates of different scientific methodologies. Blood, bones, hair, comparative anatomy, human biology, physiology, and anthropological genetics all haunt each other across time and space, together with the many racial theories they produced and sustained. The stories Kowal tells feature a variety of ghostly presences: a dead anatomist, a fetishized piece of hair hidden away in a war trunk, and an elusive white Indigenous person. By linking this history to contemporary genomics and twenty-first-century Indigeneity, Kowal outlines the fraught complexities, perils, and potentials of studying Indigenous biological difference in the twenty-first century

This volume draws its inspiration from perspectives that have developed over
the last few decades in media anthropology. These include seminal works such as
Bourdieu's (1993 ) analysis of cultural production, Larkin's (2008 ) study of the
impact of media technologies on cultural form and Ginsburg's (1995a , 2002 ) work
on indigenous media. Methodologically, the volume relies heavily on ethnography;
each of the contributions is grounded in qualitative research. Most of the chapters
are based upon data that their authors collected while doing long-term research.
Typically, such research involves building up lasting relationships with one's interlocutors,
learning about their ideas, attitudes and practices by accompanying them
in everyday life. Taken together, the various contributions explore how media that
is made for audiences deemed indigenous is produced, shared, and viewed or
'consumed'. The chapters explore the social and political impact of old and new
media technologies and media content in relation to the (re)formulation, contestation
and (re)defi nition of mediatised representations of indigeneity, and how this
bears upon perceptions and conceptualisations of nation in South Asia.