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The article presents the main theoretical prerequisites for studying the pragmatics of the literary text. Determining the functions of the text as a means of communication in all a variety of its manifestations refers to the fundamental problems of linguistics.The general problems of the theory of the text, the questions of the pragmatics of the literary text and the observables of its impact and perception are considered. The pragmatics of the text as a global category, which is a mandatory property of each text and reflects the attitude of the addressee to the object of communication, to the communicative act itself and through it to the address.

The article is devoted to the value-semantic space of a literary text in the implementation of emotive dominants that reflect the author's intention. The purpose of the study is to determine the functional status of emotives of different levels of text affiliation. The priority research methods are the methods of textual analysis and philological interpretation, which allows us to consider a literary text, including outside the explication of the author's assessment, as the realization of important value meanings of the character and the author, which have an emotional impact on the reader. During the analysis of the text of the story by A.P. Chekhov's "The Black Monk" it was revealed that the functional status of emotive dominants is generally limited by the functions of the character's emotional assessment and the pragmatic impact of emotive meanings on the reader. Textual emotiveness is capable of representing not only the momentary states of the characters associated with one or another episode of plot action. The author deliberately saturates the description of such situations with emotive markers, which correlate the emotional and spiritual experience of the reader and the character, which helps to activate the recipient's memories and a new experience of the events described in the literary text. Implicity of emotive meanings in the story by A.P. Chekhov's "The Black Monk" allows us to focus the reader's attention on the value meanings of the text, which are only indirectly determined in their formation by external plot events. Analysis of the emotive dominants of the text of the story "The Black Monk" helps to identify not only the functional-semantic nature of the category of emotiveness, but also its plot- and text-forming role in a literary text, which opens up broad prospects in the study of textual emotiveness.

Abstract
Feuilleton is a hybrid genre. This genre is important for both literature and journalism because it has literary and journalistic characteristics. There are different opinions about the genre characteristics of feuilleton. So, in studies, it is sometimes characterized only as a journalistic genre. Although some of the studies pay attention to its literary peculiarities, they do not mention its journalistic peculiarities. There are also studies that examine the genre in both literary and journalistic contexts, and such a complex approach is of great importance to the analysis of the genre. Based on the ideas about the hybridity of the genre, our opinion on this matter is that when examining the feuilleton, it is important to thoroughly study it, taking into account the fact that it is a hybrid genre. When conducting research, all features should be studied, no feature should be left out of the study. The artistic colors of feuilleton are distinguished by their realistic and sharp lines. Here, the events are given in all their reality. This is one of the points that form the basis of journalistic works. In this article, the feuilleton genre is examined in the context of literary-journalistic genre; the history of feuilleton, its main features, and its literary and journalistic aspects are studied.