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In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Along- side this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aes- thetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activi- ties are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough's thoughts on political discourse, Michel Foucault's dialectic idea of power/knowledge, and Sara Ahmed's concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice that has consequences beyond the digital, the semi- otic, and what might at first glance appear to be pure entertainment. ; In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activities are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough's thoughts on political discourse, Michel Foucault's dialectic idea of power/knowledge, and Sara Ahmed's concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice which has consequences beyond the digital, the semiotic and what might at first glance appear to be pure entertainment.

Icelandic politics are analysed from the perspectives of three normative models of democracy: the liberal, republican and deliberative democratic theories. While the Icelandic constitution is rooted in classical liberal ideas, Icelandic politics can be harshly criticized from a liberal perspective, primarily because of the unclear separation of powers of government and for the extensive involvement of politics in other social sectors. Despite strong nationalist discourse which reflects republican characteristics, rooted in the struggle for independence from Denmark, republicanism has been marginal in Icelandic politics. In the years before the financial collapse, Icelandic society underwent a process of liberalization in which power shifted to the financial sector without disentangling the close ties that had prevailed between business and politics. The special commission set up by the Icelandic Parliament to investigate the causes of the financial collapse criticized Icelandic politics and governance for its flawed working practices and lack of professionalism. The appropriate lessons to draw from this criticism are to strengthen democratic practices and institutions. In the spirit of republicanism, however, the dominant discourse about Icelandic democracy after the financial collapse has been on increasing direct, vote-centric participation in opposition to the system of formal politics. While this development is understandable in light of the loss of trust in political institutions in the wake of the financial collapse, it has not contributed to trustworthy practices. In order to improve Icelandic politics, the analysis in this paper shows, it is important to work more in the spirit of deliberative democratic theory ; Peer Reviewed

This chapter explores the possible influences of Sweden, Denmark and Finland on the Environmental Policy of the EU. We focus specifically on the reputation, expertise and role model behaviour of the Nordic EU members and their possibilities to use these factors as cognitive power resources.The chapter discusses several examples where the Nordic EU member states have successfully promoted their national environmental interests within the EU. We also make use of interviews with environmental representatives at the Swedish, Danish and Finnish Permanent Representations to the EU in Brussels, officials from other member states, DG Environment of the Commission and the European Environment Agency. The results indicate that the Nordic EU members have to some extent minimised their quantitative disadvantages, such as small administrations and limited voting powers, by successfully using the cognitive power resources in question within the Environmental Policy of the European Union.

Dansk Folkeparti har i større udstrækning end andre partier anvendt pressemeddelelser som led i deres kommunikation. Samtidig har deres pressemeddelelser været af en anden karakter end de øvrige partiers. Med udgangspunkt i George Lakoffs teori om moralpolitik og med anvendelse af en Toulmin-inspireret argumentationsanalyse analyseres partiets pressemeddelelser fra en tilfældigt valgt måned i 2010. Analysen viser, at pressemeddelelserne udtrykker meget tydelige positioner med baggrund i moralske standpunkter. Politiske modsætninger behandles som moralske, men der er ikke tale om, at man på populistisk vis vender kappen efter vinden. Tværtimod er der tale om et særdeles homogent syn på politik som moral. På den baggrund diskuteres Lees-Marshments skelnen mellem markeds-, salgs- og produktorienterede partier, og konklusionen er, at man kan se Dansk Folkeparti som et salgsorienteret parti, som anvender pressemeddelelserne som et (billigt) middel for at nå ud til vælgerne. ; Dansk Folkeparti (the Danish People's Party) uses press releases to a much larger extent than any other Danish party. But they also use them in a different way. Through an analysis of press releases from a randomly chosen month in 2010, this article discusses the party's use of press releases not only as a source of information about the party's political initiatives but as a way of doing what George Lakoff has called Moral Politics. The use of press releases is then discussed in relation to the distinction presented by Lees-Marshement between product oriented, sales oriented and market oriented parties. The conclusion is that Dansk Folkeparti use the press releases as a part of their political marketing, but that the party due to its moral politics has to be classified as a sales oriented party.

"Det Konservative Folkeparti kan i ar fejre deres 100-ars jubilAeum som parti. Og umiddelbart lever konservatismen i bedste velgaende: Konservative debattorer ytrer sig ivrigt i medierne, og konservatismen markerer sig i den politiske offentlighed. Men virkeligheden er en anden. Partiet er splittet og star reelt midt i en tillidskrise, ligesom mange iagttagere mener, at det har mistet politisk fodfAeste. Det ser vi fx, nar Soren Pape onsker at give partiet en hojredrejning, selvom det reelt kun er fa ar siden, at den tidligere partiformand vendte sig mod midten.Denne interne splittelse er dog langtfra ny. Allerede i mellemkrigstiden oplevede partiet stAerke brydninger, tvivlede pa de liberale vAerdier og var uenige om, hvilken vej de skulle ga.Konservatisme i mellemkrigstiden er historien om mellemkrigstidens splittelse hos de konservative. Om en tid, hvor der var modstridende holdninger til, hvad konservatisme skulle vAere, og hvor kimen blev lagt til den moderne konservatisme, vi kender i dag."--